Leena Koppe

The white, gray and black rooms of a common past and the separate present, the surrounding dreams and fantasies about one‘s own life and the lives of others: when Olga, Yvonne and Manon - three former best friends meet again after twenty years, the facades of their life contracts are removed layer by layer. But they separate again before the résumés collapse.

Flooding in Krumau am Kamp: three infant bodies , two girls and a boy , are found in the basement of the Trummler family 's farm , which has long been uninhabited . The children were suffocated immediately after birth and buried on the spot . A dark reputation precedes the Trummelrs ; the word "cursed" is used more than once : after the daughter 's disappearance without a trace. The villagers have never quite forgotten the tragedy , and so willOld wounds opened up when Marion Reiter from the St. Pölten homicide squad took up the investigation . She is assisted by the inexperienced but persistent local police officer Ulli Herzog . As the two delve deeper into the Trummels ' dark family secrets . The two of them don't seem to be bothered by the macabre history at first , but the shadows of the past soon catch up with them too .

Seemingly stranded and enthralled like a somnambulist: a female figure amid a rocky, dried-up riverbed. Motionless, exposed, and yet turned inward. Now entwined in the branches of the sparse vegetation, now lying on the delicate fissures of the parched ground, from these convergences and from the interplay of images arises a sort of approximation, or analogy.

Aunque aún no ha cumplido los 30, Lola (Valerie Pachner) maneja su vida con la misma eficiencia que emplea para optimizar su rendimiento como consultora financiera. Nadie conoce la existencia de su hermana Conny (Pia Hierzegger), ni tampoco el largo historial que relaciona a su familia con la enfermedad mental. Todo cambia cuando un trágico evento relacionado con Conny obliga Lola a reencontrarse con su pasado, destapando una serie de secretos que creía haber dejado atrás y que provocan que, poco a poco, vaya perdiendo la cordura y el contacto con la realidad

Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…

A partir de la muerte del padre, cuatro hermanos muy distintos se reúnen después de mucho tiempo sin verse (incluso sin saber de la existencia de uno de ellos) en las afueras de Viena. Un fin de semana de luto en el campo se convierte, de forma inevitable, en un ambiente donde la tensión familiar crece hasta el límite, mientras esos seres intentar lidiar con la herencia que recibieron. Por su parte, el padre, ahora ausente, cobrará vida no sólo en la presencia fantasmal que todavía los acecha, sino también a través de los flashbacks que nos llevan a un pasado extraño; señalando la convivencia infantil en una comunidad hippie donde las drogas y el sexo libre no eran algo exótico, y de la cual todos los jóvenes escaparon en cuanto tuvieron oportunidad. (extraído de BAFICI.gov.ar) (FILMAFFINITY)

Iris, a 28-year-old studentin a big city, recently left by her boyfriend and too poor to pay her rent, begins to work for a strange old man. He wants Iris to precisely describe the trivial belongings of a dead woman, packed in white boxes, to keep the memory of the woman alive. Iris is disgusted and fascinated at the same time; reflecting on an invisible person's traces, she slowly becomes aware of her own wounds.

Four 12-year-olds—Sharon, Tom, Moishy, and Sophie—prepare for their bar or bat mitzvot.

Un hombre que trabaja en una copistería va un día a trabajar y se fotocopia la mano involuntariamente... Multipremiado cortometraje narrado sin diálogos, ganador de 28 premios internacionales y nominado, entre otros, al Óscar.