Anna Grieve

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.

In the early 1970s, a theatre collective - the Australian Performing Group - based itself in a building called the Pram Factory, now synonymous with the people and events that laid the groundwork for a renaissance in Australian culture. The Pram was a ‘scene’, a 24-hour happening, a radical alternative to the mainstream. Those who lived and worked at the Pram expected the world to come to them - and for a while it did. (The building was eventually demolished to make way for a supermarket.)

In the early 1970s, a theatre collective - the Australian Performing Group - based itself in a building called the Pram Factory, now synonymous with the people and events that laid the groundwork for a renaissance in Australian culture. The Pram was a ‘scene’, a 24-hour happening, a radical alternative to the mainstream. Those who lived and worked at the Pram expected the world to come to them - and for a while it did. (The building was eventually demolished to make way for a supermarket.)

In the early 1970s, a theatre collective - the Australian Performing Group - based itself in a building called the Pram Factory, now synonymous with the people and events that laid the groundwork for a renaissance in Australian culture. The Pram was a ‘scene’, a 24-hour happening, a radical alternative to the mainstream. Those who lived and worked at the Pram expected the world to come to them - and for a while it did. (The building was eventually demolished to make way for a supermarket.)