Vasco Carvalho

A Garrano horse is forced to pull a heavy load under the sun's blazing heat. The young boy, Joel, discovers a man who is about to set the forest on fire.

The art of memory is a classic technique that associates images with places through a process of remembrance and meaning. From the memory of places and their context, the documentary delves into the creative process of three contemporary visual artists: Daniel Blaufuks, Pedro Bastos and José Rufino. Despite the different expression approaches of each author, we find points of communication in the way memory operates in their works. By rummaging through the hazards and disorder, we arrive at the director's personal mythology, assuming that memory is a fiction like any film.

En un mundo atemporal, futurista y sin esperanza, la humanidad ha empezado un éxodo hacia nuevos planetas en busca de vida. Pedro, atrapado en una cotidianidad repetitiva, perseguido por extraños sueños y el miedo a quedarse solo, desea por encima de todo embarcarse en un viaje intergaláctico y empezar de nuevo. No obstante, todo cambia cuando conoce a Eva.

While transitioning from male gender to female, Matia struggles with finding a sincere intimate relationship with a heterosexual male.

PATHOSFORMEL is an interdisciplinary work/film, both in form and content. Through scenes and episodes, a look at the historical past is interconnected, using figures from Greco-Roman mythology in order to reflect on the human condition.

PATHOSFORMEL is an interdisciplinary work/film, both in form and content. Through scenes and episodes, a look at the historical past is interconnected, using figures from Greco-Roman mythology in order to reflect on the human condition.

In a village where time and space run out, a child dwells in the death vortex.

Over the dark and barren landscapes of a city somewhere in the Arctic Circle, we hear the story of a man who dreamed he was a woman, an oneiric reverie that allows him to be in two opposite places at the same time. It is a beautiful metaphor, as well as a eulogy, about accepting what seems illogical, instead of looking for meaning, one that finds comfort in the darkness and restlessness that disturbs sleep, turning it into a space for the subconscious to rise

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

And then, a house will appear to be waiting you: as in a slope, this is a leaning story on the memory of places and things, on returns and new beginnings.

Jake (Anton Yelchin) y Mati (Lucie Lucas) son dos extraños en la ciudad portuguesa de Porto que una vez tuvieron una breve conexión. El misterio en torno a los momentos que compartieron permanece, y en la búsqueda a través de sus recuerdos, reviven las profundidades de una noche sin inhibiciones.

New film directed by Edgar Pêra.

I am the double of the shadow of my own image. An allegory that occupies my place. This is my act of contrition. Beyond good and evil, I stand as an equation: Its result cannot be manipulated By morals or ethics. In mathematics there is no place for beliefs Just as life and death Are a certain fate.

The emotional journey of Yulya, a fragile and precious young woman.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

Two brothers, who haven't spoken in years, meet at their mother's funeral where they must deal with their mourning family, their obligations as sons and their own feelings of loss.

1960 is a home movie recorded as a super 8mm logbook. Based upon Diário de Bordo by Fernando Távora, its goal is to revisit the journey the architect made in 1960.

Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.

A Moral Conjugal

This is the story of a man who after living over ten years isolated away from his country, returns to avenge His brother's death. Inspired by the writings of David Henry Thoreau, he is translating 'Civil Disobedience' into Portuguese. The action is set between 1908 and 1910, between the assassination of the Portuguese King and Prince and the creation of the Portuguese Republic, an era where anarchists who fight against the monarchy often cross the path of burglars. On a country where corruption is set, the state representatives try to rob, arrest and kill innocents. The main character faces the tyranny of the state and tries to save the rest of his family. But this is a country where nothing changes.

It is not the landscape that changes. Every service station is a service station. What changes is being in movement.

The story about the last man to be sentenced to death in Portugal.

In a lake surrounded by buildings, a man builds a boat.

Two actors, four characters, one short film inside another one and a sexual tension that won't stop with the word "cut".

In a lake surrounded by buildings, a man builds a boat.

Picture yourself at home... The phone rings and they try to sell you something - the usual idiots... Only this time they're selling you a suicide, your ordered suicide. This is what happened to Luis Tinoco, a wretched creature who had already thought about dying. A comical character, with a bizarre childhood and who in adulthood is unable to be happy. Tinoco buys his own suicide, prepared and designed to match the reason for which he wants to die: love.

Free adaptation of Sophocles classic tragedy “King Oedipus” crossed with Jack Kerouac's classic “On the Road”. The starting point is the loss of identity of a generation of Portuguese emigrants. Tebas tells the story of a young man who, looking for his origins, departs from Paris to Portugal with a beatnik truck driver. The film is a voyage into the strange depths of Portugal in the form of surreal road-movie.

A family man becomes obsessed with his front door neighbor. Slowly he gives up work and forgets about anything asides his obsession. Only a murder inside the family will be able to restore normality. A dark comedy with painful truths being played inside the family.

The director questions his parents about their private life, past and present. They belong to a generation marked by misery and oppression, where marriage was "until death do us part". Although they are seen frequently together, they answer openly but alone. It's a portrait of identity, origin, memory - a stunning black and white intimacy.