Vittorio Ciorcalo

Vittorio Ciorcalo

Perfil

Vittorio Ciorcalo

Películas

Gli attassati
Walter Treppiedi
Walter Treppiedi
Walter is an unpleasant man, dirty, a small-time middleman, a third class swindler. He lives in an old station wagon full of dirt and scraps of a lifetime. In that car, Walter eats, sleeps, receives young customers to whom he promises to break into the show business, as long as they are willing to do anything and in exchange for a bribe. His bodyguard is always by his side, he's too old and smells. He's own faithful life companion: A Rottweiler named Blackie and he's dying.
The Major Fisherman
Cosimo
In this fact-based drama, an ecology-minded fisherman is elected mayor of his corrupt seaside town and begins crusading against drugs and crime.
Piazza Fontana: The Italian Conspiracy
Aldo Palumbo
On December 12, 1969, a bomb kills 17 people and injures many more at a major national bank in Milan, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but an investigator uncovers a larger subversive project made of far-right fringe groups, corrupt secret services, and other interests that seek to undermine democracy.
L'uomo nero
Tonino Zucca
Tras la muerte de su padre, Gabriele Rossetti vuelve a Puglia. Su casa natal le recuerda su infancia, en los años 60, cuando tenía que sufrir los cambios de humor de su padre, un jefe de estación que soñaba con ser pintor. Recuerda también la severidad de su madre, profesora de literatura, y la alegría de su joven tío Pinuccio. El día del entierro, Gabriele descubre algo que cambia profundamente su opinión sobre su padre.
Il grande botto
Tarabocchia
La scuola
prof. Mattozzi
In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.
Paganini
Kinski pensaba que había tenido experiencias similares en su vida a las que tuvo Niccolo Paganini 'El Diablo del Violín', quien hizo caer a la Europa del siglo XIX en un frenesí musical, y a través de cuya personalidad Kinski ofrece una profunda y sincera visión de su propia vida: una vida llena de extremos.