Ted Haley

Follow two Canadians, Bob Lush and Mike Birch, aboard their yachts during the 1980 Observer Singlehanded Transatlantic Race. More than a record of this prestigious international sailing event, the resulting film is the starting point for an epic of challenge and determination.

A young mother faces hardship in the form of an abusive ex-husband and overzealous social worker.

Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.

Torn between the world of their childhood and the world where they must now live and work, two flamboyant Newfoundlanders pay a nostalgic visit to the deserted outport where they were born. This is their story, and the story of so many others who, like them, became victims of the Newfoundland government's controversial Resettlement Program.

This short film is told in the first person by Rose, a Métis woman from northern Alberta who has left a difficult life in the city to rediscover her roots by returning to her Woodland Cree community. Rose reveals the racism, isolation and health issues she faced when trying to make a life for herself outside her home community, and how she is able to help others now that she has reconnected to her culture. The film is part of a 1970s series of eleven films title Working Mothers by producer/director Kathleen Shannon, exposing inequality for women in accessing education, childcare, and equal pay. These films led to the creation of Studio D at the National Film Board, the world’s first feminist production studio. 

A detailed retrospective of animation and animation techniques at the National Film Board of Canada.

Filmed in the Canadian Rockies and in Garibaldi Park, this documentary features magnificent footage of mountain solitudes and the wildlife found there, of natural splendour in all its changing moods. The film carries the implicit warning that all this may pass away if people do not seek to preserve it. Without words.

Toronto-born Norman Jewison first gained prominence producing for Canadian television, then went on to greater success making Hollywood theatrical features. In this film he is seen directing a large international cast and crew in the film version of the musical hit 'Fiddler on the Roof'. Between scenes, Jewison talks freely about many aspects of the film industry and some of his experiences in it. A candid study of a director in action.

"Fogo is a windswept island off the coast of Newfoundland where the inhabitants for generations have lived by, on and from the sea. In this film William Wells, fisherman, and his two sons take a day off from the nets for a journey to the gannet colony on the Funk Islands, fifty miles farther out to sea. There are exceptional close-up views of enormous flocks of seabirds swarming on the cliffs and in the sky."

This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.

An eccentric history buff lives in a cabin in the woods but spends most of his time flying his biplane.

Después de literalmente nadar a través del Océano Atlántico, un inglés hace un viaje a través de Canadá en un vagón.

If you erase the people of downtown America, the effect is bizarre, not to say disturbing. That is what this film does. It shows the familiar urban scene without a soul in sight: streets empty, buildings empty, yet everywhere there is evidence of recent life and activity. At the end of the film we learn what has happened.

This short documentary offers a portrait of life on a cattle ranch, for both its human and animal inhabitants. Featuring sprightly music by folk singer Pete Seeger and narration by theatre actress Frances Hyland, the film is shot through the seasons on a large Canadian cattle ranch near Kamloops, British Columbia. With hundreds of cows and calves on the ranch, there’s no shortage of work to be done: soil cultivation and crop maintenance are taken care of by seasonal ranch hands while the resident cowboys—“anxious guardians”—brand and breed their bovine charges.

Here is what happened in a Toronto classroom when teachers occupied the children's desks and children became the teachers. The film grew out of another, Mrs. Ryan's Drama Class, where young children found their way into creative drama. There is food for thought in this impromptu reversal of roles.