Antonio Fresa

The story of two brothers, separated by time and their character, and their journey back to Italy, homeward, in the summer of 1956.

Este documental habla sobre la historia de los entierros paleolíticos para tratar de desafiar nuestras nociones preconcebidas de la prehistoria. ¿Quiénes eran estos individuos enterrados con tales tesoros mundanos? Su gran belleza también plantea numerosas incógnitas: ¿Quiénes eran estos individuos, enterrados con tanto cuidado y adornos? ¿Se trata de chamanes? ¿Caciques? ¿O simplemente eran individuos comunes con un estilo distinto.

Con motivo del centenario de su nacimiento en 1920, este largometraje documental investiga la pasión de Federico Fellini por la búsqueda de otras dimensiones, posibilidades, y de todo aquello que aumenta el vuelo del espíritu y la mente, a través de imágenes de archivo inéditas y entrevistas exclusivas. Unos temas que siempre han sido reflejados en su filmografía y que, empujado por su amor por la vida y el significado de ésta, se convirtieron en una investigación personal.

Cenerentola struggles to escape the shadow and evil schemes of her stepmother and six stepsisters who all live aboard the Megaride, a ship stuck in the port of a decaying future Naples.

Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.

Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.