Sheila Hannigan

1917. Dos barcos chocan en un puerto, una explosión destroza una ciudad y un marinero sale despedido hacia el cielo. Mientras le zumban los oídos, se le acelera la sangre y se le remueven las tripas, el marinero continúa su ascenso por encima del caos hacia lo desconocido.

Meneath: The Hidden Island of Ethics dives deeply into the innate contrast between the Seven Deadly Sins (Lust, Gluttony, Greed, Sloth, Wrath, Pride and Envy) and the Seven Sacred Teachings (Love, Respect, Wisdom, Courage, Truth, Honesty and Humility), as embodied in the life of a precocious Métis baby. Brought to life by Terril Calder’s darkly beautiful stop-motion animation, her inner turmoil of abuse is laid bare with unflinching honesty. Convinced she’s soiled and destined for Hell, Baby Girl receives teachings that fill her with strength and pride, and affirm a path towards healing. Calder’s tour-de-force unearths a hauntingly familiar yet hopeful world that illuminates the bias of colonial systems.

Finales de los años 90. Joanna, una joven que sueña con ser una gran escritora, consigue trabajo en una de las principales agencias literarias de Nueva York como ayudante de la directora. Entre otras tareas, Joanna ha de responder las numerosas cartas que envían los fans de uno de los escritores de la firma, el mítico J.D. Salinger, autor de “El guardián entre el centeno”. Apartándose del protocolo, Joanna imprimirá a sus respuestas un carácter muy personal...

Una joven se describe a sí misma utilizando los superlativos más deslumbrantes, destacando todo lo que se espera de ella. Sin embargo, la narración visual cuenta una historia completamente diferente, ilustrando con fuerzala la dinámica maligna de nuestra época, el gran malestar: nuestro constante esfuerzo por presentar una imagen de perfección y el miedo paralizante al fracaso y la insuficiencia.

Josh Crooks is a promising teen hockey star in a sport where Black players like him are chronically underrepresented. Ice Breakers reveals the buried history of a pioneering Black hockey league in Atlantic Canada, as Crooks discovers that his unshakable passion is tied to a rich and remarkable heritage.

An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.

A spider professes its love for a squirrel. An interspecies courtship unfolds between the two doe-eyed neighbours. This short film is a testament to the fact that there is truly someone for everyone and that love is species blind. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

A multi–layered story of an accumulation of encounters between black clouds. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

This short animated film looks at the relationship between social spaces and taboos surrounding mental illness and other forms of marginalization. The film is intended as a mood piece, a chance encounter between a lone figure and an indifferent crowd. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

A close look at the microscopic world that surrounds us. Within each basic human interaction there is something strange festering under the surface, and we just need a good magnifying glass and a strong stomach to see it. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

A little banjo-picking monster is trying to find her way at a signpost by the railway tracks. She sets out and finds what she is looking for in a rather surprising way. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

This minimalist piece of animation explores the origin of life. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

Dale Hayward brings to life his watercolour on paper. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

Two little men float into the deep blue sky, tied to balloons. But then each decides the sky belongs to him. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

A prairie landscape undergoes a metamorphosis: rural idyll to over-urbanized dystopia. Director Anne Koizumi laments the changing face of her hometown of Calgary in this critique of the bacteria-like spread of suburbia and exurbia. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A little creature watches the transformation of a feather and follows a whale to where icebergs melt, leaving birds with nowhere to land. The materials used include old gloves, costume jewellery and Plasticine. Technique: puppet and object animation with drawn animation. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A figure floats in landscapes and spaces without a ground plane. There is only water. The reflected skies are endless and mirrored interiors are doubled in height. This film explores experiences within environments that are recognizable but surreal. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A robot rambles about frenetically, receiving countless electronic messages through his antenna every second. Despite his fatigue and stress, he never slows down. The only thing that might bring his frantic journey to an end is a traffic accident. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

In this short animation Damien Hess attempts to connect with the tragedy of the First World War, a conflict that helped define Canada. In this film he uses imagery of the Canadian National Vimy Memorial monument in northern France to summon up names, faces and shadows that are fading from our memory. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

In this whimsical animated short, filmmaker Rachel Peters asks: "what if the laws of physics suddenly ceased to apply?" Peters explores this question through the tale of a man and his two goldfish as they prepare for the end of the world. Technique: drawn animation, digitally coloured and composited. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A tale of Victorian-era folly ends in tragedy. Kevin Langdale's graphic style brims with the majesty of human ambition and the indomitable and sometimes destructive power of the natural world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

An “epic” adventure and a magical environmental fairy tale. Amy Lockhart uses cutouts, drawings and collage (captured and manipulated as digital multi-plane animation) to conjure up her whimsical world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Megann Reid evokes the solitude and warmth of a bath. Drawn with water colour pencil crayons on frosted acetate, the animation was done under a digital camera. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Thea Pratt explores the exhilarating moment of a poetic dive. The movement of the puppet diver is influenced by Norman McLaren, Leni Riefenstahl and Busby Berkeley. Dancing light, frothing oceans, rolling rivers and calm lakes describe in photographic images the diver’s own stream of consciousness. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Seeking shelter from a thunderstorm, a man sits in a pub watching the ice in his glass melt away. Howie Shia marries his graphic illustration style with subtle animation and a haunting soundtrack to conjure up anxiety and foreboding. He used pen and ink on tracing paper and later composited and coloured digitally. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.