Lilian Solá Santiago

Películas

Eu Tenho a Palavra
Director
"Eu Tenho a Palavra" is a linguistic journey in search of the African origins of Brazilian culture.
Uma Cidade Chamada Tiradentes
Screenplay
The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.
Uma Cidade Chamada Tiradentes
Researcher
The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.
Uma Cidade Chamada Tiradentes
Director
The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.
Família Alcântara
Executive Producer
Documentary about the Alcântara Family, descendants of Mestre Afonso who keep their roots alive in the streets and on stage.
Família Alcântara
Screenplay
Documentary about the Alcântara Family, descendants of Mestre Afonso who keep their roots alive in the streets and on stage.
Família Alcântara
Director
Documentary about the Alcântara Family, descendants of Mestre Afonso who keep their roots alive in the streets and on stage.
Balé de Pé No Chão
Researcher
The documentary video follows the unique trajectory of the dancer Mercedes Baptista, considered the main precursor of Afro-Brazilian dance.
Balé de Pé No Chão
Executive Producer
The documentary video follows the unique trajectory of the dancer Mercedes Baptista, considered the main precursor of Afro-Brazilian dance.
Balé de Pé No Chão
Screenplay
The documentary video follows the unique trajectory of the dancer Mercedes Baptista, considered the main precursor of Afro-Brazilian dance.
Balé de Pé No Chão
Director
The documentary video follows the unique trajectory of the dancer Mercedes Baptista, considered the main precursor of Afro-Brazilian dance.
Anesia
Production Director
At the age of 93, shortly before her death, Anésia Pinheiro Machado takes the viewer on a journey through the 20th century, showing how she fell in love with aviation and the difficulties she had to manage to infiltrate a newborn environment and until then dominated by men. Anésia, in the interviews recorded for the film, recounts her experiences as one of the pioneers in aviation.