Sumitra Devi

Sumitra Devi

Nacimiento : 1923-07-22, Shiuri, Birbhum, West Bengal, India

Muerte : 1990-08-28

Historia

Sumitra Devi (1923 - 1990) was an Indian actress who is recognized for her work in Hindi as well as Bengali cinema during 1940s and 1950s. She is most remembered for her role in the 1952 Hindi film Mamta directed by Gunjal. She was the recipient of BFJA Award for Best Actress for two times. She was one of the exquisite beauties of her time and has been regarded as the most beautiful woman of her time by veterans such as Pradeep Kumar and Uttam Kumar. Sumitra Devi was born of a rich Brahmin family in 1923 at Shiuri, in Birbhum, West Bengal. At her teenage, she was immensely influenced by the beauty and stature of the veteran actress Kanan Devi and aspired to be an actress. In 1943 she was summoned for an interview and look test in the office of New Theatres and was finally cast opposite K. L. Saigal in Hemchander Chander’s Meri Bahen (1944). During the making of this film she was offered to play the lead in Apurba Mitra’s Bengali film Sandhi (1944) which happened to be her debut film. The film achieved enormous success and won her the BFJA Award for Best Actress in 1945. In the late 1940s she established herself as a leading actress of Bollywood with roles in films such as Vasiyatnama (1945), Bhai Dooj (1947), Oonch Neech (1948), Vijay Yatra (1948) and Mashaal (1950). She was adulated for her role as a single mother in Gunjal's Mamta (1952). Filmzack wrote, "She manipulated all her magnificent characteristics to vivify her role; her calmness, her softness, pain and pang and all were infused into one." She was further acclaimed for her role in films such as Deewana (1952), Ghungroo (1952), Mayurpankh (1954), Chor Bazaar (1954) and Jagte Raho (1956). She sustained her career in Bengali cinema also with films such as Abhijog (1947), Pather Dabi (1947), Pratibad (1948), Joyjatra (1948), Swami (1949), Devi Chowdhurani (1949), Samar (1950), Dasyu Mohan (1955). She has been idolized for her role as the beautiful alcoholic wife of a landlord in Kartik Chattopadhyay's cult classic Saheb Bibi Golam (1956) which is an adaptation of Bimal Mitra's classic novel of the same name. Her portrayal of Bijali, a nautch girl with a bereaved heart in Haridas Bhattacharya’s National Award winning Bengali film Aandhare Alo (1957) under acquired an overwhelmed response from the Indian critic society. She also garnered major acclamation for her roles in Bengali films such as Ekdin Ratre (1956), Nilachaley Mahaprabhu (1957), Joutuk (1958) and Kinu Gowalar Gali (1964). In the late fifties, she was invited to the Asian Film Festival in China as a delegate from India.

Perfil

Sumitra Devi

Películas

Kinu Gowalar Gali
A writer, to avoid the natural demands of domestic mundanes, almost deliberately pushes his wife towards adultery, would the lonely woman succumb? What would be the effect on their marriage?
Diwana
Mangala
A young prince named Ashok falls in love with a girl named Lali whom he encounters for the first time while hunting in a forest. Later on he learns that Lali belongs to a nomadic community that is at present, inhabiting his region. Ashok meets Lali again and both confess that they are in love with each other. In the meantime Lali's father, who is the head of his community, sends a man named Phulwa to look for her.
Beam of Light
Andhare Alo is a 1957 bengali movie by Haridas Bhattacharya
Jagte Raho
Singing drunk's wife
Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.
Saheb Bibi Golam
Pateshwari
The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.
Chor Bazaar
Princess Gulnar
Circa the Mughal Rule in the Persian Gulf, a noble man asks his soldiers to bring a man trustworthy enough to commit a crime. The soldiers go to the Chor Bazar, where they find a beggar-cum-thief, Yusuf Ustad, and bring him before the noble man. The noble man asks Yusuf to abduct and kill the child, who will be the future king. Greedy Yusuf accepts the offer, but is unable to kill the cherubic child, and ends up abducting him, leaving evidence in blood to show that the child has been killed. The young prince is thus brought on to the streets of this Chor Bazar where he will grow up, and be destined to spend the rest of his life as a thief and beggar.
Mayurpankh
Shanti
Mayurpankh is a 1954 Indian film directed by Kishore Sahu. It was entered into the 1954 Cannes Film Festival, where it was nominated for the Grand Prize of the Festival.
Niyoti
My Sister
Krishna
Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.