Producer
Cuando una misión en América del Sur sale mal, un mercenario es dado por muerto, pero se lo cura y renace con una nueva perspectiva de la vida. Pero sus días pacíficos son de corta duración cuando los mercenarios con los que solía trabajar se cruzan en su camino nuevamente y se ve obligado a volver a visitar y enfrentar a sus propios demonios.
Associate Producer
A silent fisherman in Texas, a blazing oil field in North Dakota, a mysterious community in Virginia, a women’s prison in Oregon, and a modernist home in California are the ostensible subjects of Austin Lynch and Matthew Booth’s new feature, GRAY HOUSE. But as meditations upon nature, isolation, decadence, and destitution, they are flawless conduits for seamless blends of documentary and narrative form, and stunning explorations of sound, image, and cinematic time. Mysterious and elusive, yet possessing an aesthetic and sensory unity (appearances by Denis Lavant, Aurore Clément, and Dianna Molzan mix with direct addresses from real-life laborers and inmates), GRAY HOUSE quietly recalibrates one’s sense of the world and our place within it.
