Lee Min-whee

Young-sil and Insik become lovers eight hours after meeting. Insik is certain that Young-sil is a free spirit. Anxious Insik makes Young-sil promise that their love will be forever, whatever happens. Young-sil tries to keep the promise, even after their breakup. 8 years later, Young-sil likes Woodo, but is unable to do anything.

Su-kyung lives in a small apartment with her 20-year old daughter Yi-jung. To say that the two women don’t get along would be a vast understatement. Su-kyung, aggressive and loud, berates and humiliates her daughter at every opportunity. Yi-jung is painfully withdrawn, her face partially hidden behind long strands of hair, but the simmering hate she feels for her mother comes through in her trembling voice. One day things go from bad to worse when, in the midst of a confrontation in a parking lot, Su-kyung hits her daughter with the car. She insists it was an accident, but Yi-jung is furious, and resolves to take the matter to court. - FEFF

Depicts the process of meeting a family who lives a homeless life like camping along a highway rest area, and a couple who accidentally hold hands and the process of the birth of a new family. The story of a family wandering the streets with the hope that they will meet the warmth and affection, compassion, trust, and hope between people who still exist in the cold reality, is revived with the courage and help of someone.

Part I : A middle-aged woman gets off a bus at Muju Terminal. She passes through the town and walks into a forest. She starts to search for the vestiges of her life from beyond the grave. Part II : A young woman, Minjae, returns to her hometown of Muju and starts to work at the county office. Her mother is displeased that her daughter has returned to the hometown. One day, Minjae’s friend from college, Kyungyoon, who hadn’t been in touch for a while, comes to see her.

Nabi, a veteran fire officer, accepts the coming out from her child Hangyeol, “I want to remove my breasts.” Meanwhile, Vivian, a flight crew, receives a letter from her son Yejoon, “Mom, I’m gay.” Hangyeol and Yejoon confide in their struggles even before the two mothers understand their reality.

After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.

Based on Lim Solah’s novel of the same title, Snowball focuses on the friendship between three girls who are united by frustration with the mundane routine of high school life and its associated authority figures, only for their bond to be severed by otherwise different natures.

Myeongseon is a veteran who has been earning a living doing sewing work at Changsin-dong sewing alley. Watching famous actors featuring in K-dramas wearing designer products that she custom-made is her greatest joy. However, work is decreasing and her close co-worker friend Hyun left Changsin-dong. Now Myeongseon is concerned.

Recording Nguyen Thi Thanh, the only survivor of Phong Nhi Phong Nhat massacre, where civilians were killed during the Vietnam War. Having lost all of her family at the age of eight and survived by herself, she is an open witness to the massacre of Vietnamese civilians and demands an official apology from the Korean government.

Jinmu starts to record things he should remember with a camera after hearing that he could lose his memory due to the prearranged brain surgery. Memories of family and his forgotten father comes to Jinmu's mind as he takes records of his life.

Junha is one of the most difficult children at the school. His autism causes him to attack his classmates and even teachers without warning. Each outburst further isolates Junha from his community as his teachers and peers struggle to find a way to live "with" Junha. The camera provides an intimate look into this society, leaving the question; what is human entity and how is it connected?

Jung-ae deambula mientras está ansiosa por encontrar una felicidad común en su vida con su propia familia. Ella se enfrenta al momento de elegir dos opciones al final de una autoestop de tres etapas. Una historia de la madurez de una niña de 16 años, Jung-ae, que quiere conservar su pequeña esperanza.

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

At the end of the year, 3 siblings make kimchi wearing their mom’s old clothes.

Playing on a word-of-mouth strategy of viral marketing, Viral Lingua explores language as a vessel that transmits and mutates political ideology. The film is propelled by a performer who lip-syncs to melodramatic songs, immersed in otherworldly make-ups and hyperreal images of Korean landscapes. The lyrics adapt wordplay and self-loathing satire with wry humour, reflecting the irony of living in a society built upon the histories of colonialism and the cold war. From a Korean patriotic tune lamenting an ill-fated love for a country to a children’s song set in a sci-fi dystopia, the film composes an anthem of a neocolony.

Playing on a word-of-mouth strategy of viral marketing, Viral Lingua explores language as a vessel that transmits and mutates political ideology. The film is propelled by a performer who lip-syncs to melodramatic songs, immersed in otherworldly make-ups and hyperreal images of Korean landscapes. The lyrics adapt wordplay and self-loathing satire with wry humour, reflecting the irony of living in a society built upon the histories of colonialism and the cold war. From a Korean patriotic tune lamenting an ill-fated love for a country to a children’s song set in a sci-fi dystopia, the film composes an anthem of a neocolony.

There are four people who want to become an actor. Their names are Hun, Eun, Jun, and Kyung. After watching the play [QUARTET]. They decide to participate in an acting workshop. They are trained by Mirae, the renowned actor of the [QUARTET]. Through the workshop sessions, Mirae is able to look into the inner lives of the four youths.

For unknown reasons, 5 high school students are locked in school. There, they hear sirens and gunshots. They are scared... the radio..."this is real... this is real... state of national emergency is declared"... can they make it?

Is it acceptable for a forty-something woman to be in a relationship with 17-year-old boy? The idea of love between two people with such an age gap and the social exclusion that it can bring is the subject of Pascha. Gaeul is a 40-year-old screenwriter who lives with 17-year-old Joseph and their cats. The families of the two lovers cannot comprehend the relationship. Gaeul's family are especially baffled by every aspect of her life; raising a cat and living off of vegetables, let alone having a 17-year-old lover! Gaeul's family see her as the family's dirty little secret. More and more obstacles from society are placed between the lovers and their happy ever after; poverty, death, opposition against vegetarianism and the couple's pregnancy. Can a love like this survive no matter the odds in today's society?

En su tercera película, el director Jang Kun-jae cuenta dos historias que son las mismas: una retratada a través del prisma de la realidad y la otra, a través de la fantasía. En la primera, un director de cine recorre una remota área de Japón en busca de locaciones para su próxima película, acompañado por una mujer que le sirve de guía. En la segunda, esos lugares y decorados sirven de fondo para contar una historia de amor o, al menos, su comienzo.