Kostas Zirinis

Anthology film. In "The Limousine Man", a man who lives by forcing children to sell flowers and beg, when an androgynous creature gets involved in his organisation. In "Tarantula", a serial killer is looking for her father among beggars and ragpickers. In "Sleeping Beauty" a woman brings her father's corpse to a Koulis the Barber, a mortuary beautician.

Anthology film. In "The Limousine Man", a man who lives by forcing children to sell flowers and beg, when an androgynous creature gets involved in his organisation. In "Tarantula", a serial killer is looking for her father among beggars and ragpickers. In "Sleeping Beauty" a woman brings her father's corpse to a Koulis the Barber, a mortuary beautician.

In this supernatural-themed romance, a German woman in the between-wars period is being initiated into some kind of esoteric/psychic order and learns at that time that her ideal mate won't even be born for quite a few years. By 1936, she has moved to Greece with her Greek husband, and there she meets Alberto, a very young Greek man, a Jew, who is evidently the man she has been seeking. They are able to read each other's thoughts and do so in the midst of a sexual encounter. Despite the boy's attraction to her, he spurns her due to her age (she is forty). She commits suicide and is born almost immediately as someone able to protect her ideal mate from the Germans. Later, as a young woman, she again has a liaison with Alberto, who again spurns her due to their age differences. Flashbacks indicate that this situation has been part of their lives for many incarnations.

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.

A lower-class maid navigates the social world of the upper-crust family she works for.

A wretch jobber tries to find the money to build the house promised to groom, to repay the truck he drives and help a poor girl, who has been eviction, find somewhere to stay.