Costume Design
Tico-Tico no Fubá is a 1952 Brazilian comedy film directed by Adolfo Celi and starring Anselmo Duarte. It was entered into the 1952 Cannes Film Festival. The film is a fictionalized biography of Brazilian composer Zequinha de Abreu (1880–1935), who penned the song "Tico-Tico no Fubá" that became an international hit in the 1940s.
Set Decoration
Tico-Tico no Fubá is a 1952 Brazilian comedy film directed by Adolfo Celi and starring Anselmo Duarte. It was entered into the 1952 Cannes Film Festival. The film is a fictionalized biography of Brazilian composer Zequinha de Abreu (1880–1935), who penned the song "Tico-Tico no Fubá" that became an international hit in the 1940s.
Production Design
Claudio y Anna Tancredi, cantantes de ópera, son marido y mujer. Su vida matrimonial, sin embargo, a menudo se ve perturbada por pequeños malentendidos y los ardientes celos de Anna.
Production Design
The owner of a cosmetics factory has made a contract with Radio Sibilla for the transmission of an evening program in which the products of his company are advertised.
Costume Design
This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.
Costume Design
In order to encourage the young maestro Vernieri not to break down after the first failures, the director of the theater "La Scala" in Milan tells two significant episodes concerning the theater.
