Basada en la vida de María Salomé Loredo, figura famosa por sus sanaciones y la asistencia a los pobres de fines del siglo XIX y primera mitad del siglo XX.
Cortometraje institucional dirigido por Luis Moglia Barth que promueve el voto femenino, promulgado en el año 1947 por la ley 13.010. El documental muestra las diversas tareas preparatorias llevadas a cabo por el Estado nacional (sanción de la ley, asesoramiento, empadronamiento y confección de urnas y cuartos oscuros) y, montándose en un relato ficcional, reproduce las discusiones que se dieron en muchos hogares del país.
When the employee of a famous economist seeks a raise in complicity with a street vendor, her work learns real-life facts by trying to prove that you can live with what you pay.
Juan Carlos Thorry is a police inspector who must solve the mystery of the death of the warden of a boarding school for young women, for which he goes undercover as a music teacher. The main suspect is the mischievous schoolgirl María Duval. A series of entanglements leads the protagonists to becoming romantically involved and to finding the culprit.
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.