Luca Tittoto

Películas

La bohème - ROH
Colline
A penniless poet, a young seamstress, and a lost key: Puccinis passionate opera tells the story of a captivating romance set against the background of 19th-century Paris. The luscious score, with its soaring melodies and rich orchestration, brings to life the relationships between Rodolfo, Mimì and their friends, the painter Marcello and fiery Musetta. Acclaimed director Richard Jones stages a fresh and intelligent new production of one of the worlds most popular operas, conducted by The Royal Operas Music Director, Antonio Pappano.
Norma
Mariella Devia, one of the greatest bel canto singers of 20th century, chooses Venice’s La Fenice as the stage for her last Norma.
Norma - Teatro La Fenice
Oroveso
Royal Opera House: La Bohème
Colline
Puccini’s passionate opera is conducted by Antonio Pappano and stars a superb young cast including Nicole Car, Michael Fabiano and Mariusz Kwiecień, in a new production by Richard Jones.
Médée - Theater Basel
Creon
Medea lives with Jason and her children in Corinth and becomes increasingly aware of her husband's betrayal of love. When she is certain that Jason is to marry the king's daughter Creusa and that she herself will be banished for doing so, she swears to take bitter revenge
Rossini: Guillaume Tell
Gessler
La obertura inimitable (gracias a Dios) no tiene puesta en escena y está terriblemente interpretada, con espléndidos solos de violonchelo y flauta: el fino estándar nunca flaquea. La extraordinaria partitura de Rossini de 1829 presagia audiblemente a Meyerbeer, Berlioz, Glinka, Verdi y Wagner, entre muchos otros. La dirección de Graham Vick privilegia el conflicto de clases, con el puño cerrado sobre el antetelón rojiblanco. Los trajes eduardianos colocan a los austriacos con atuendos de noche blancos; los suizos vestidos de negro pulen el piso mientras los gobernantes disfrutan de una filmación (mucho de eso a continuación): el pescador Ruodi, en un bote con una rubia y un escenario falso, con Tell y su familia brindando soporte técnico. Vick despliega el kitsch geográfico e histórico generosamente pero no (siempre) sin sentido. Sin embargo, la coreografía pretenciosa y educada de Ron Howell es increíble.