Gloria Camiruaga

Gloria Camiruaga

Nacimiento : 1941-04-01, Chimbarongo, Colchagua, Chile

Muerte : 2006-04-10

Historia

Gloria Camiruaga (1941- 2006) was a filmmaker and an outstanding Chilean video artist. Her work includes a large number of pieces that cover forms related to video art, video performance and documentary. Axial elements of her work were the radical criticism of the Chilean civic-military dictatorship, the patriarchy and the social transformations that the implementation of neoliberalism generated in our country. He received important creative grants, while actively collaborating with creators such as The Mares of the Apocalypse, Lotty Rosenfeld, and Diamela Eltit. "Popsicles" (1984), "Casa Particular" (1990), and "La Venda" (2000) make up his audiovisual work.

Perfil

Gloria Camiruaga

Películas

La Venda
La Venda
Editor
A través de un conjunto heterogéneo y disímil de imágenes y sonidos que combinan planos largos y medios de eventos y prácticas cotidianas citadinas y rurales, los testimonios de diez mujeres que fueron torturadas conforman el centro discursivo del documental y la memoria de un injusto y doloroso pasado.
La Venda
La Venda
Director
A través de un conjunto heterogéneo y disímil de imágenes y sonidos que combinan planos largos y medios de eventos y prácticas cotidianas citadinas y rurales, los testimonios de diez mujeres que fueron torturadas conforman el centro discursivo del documental y la memoria de un injusto y doloroso pasado.
Casa Particular
Casa Particular
Director
Documentary record of the performance made by "Las yeguas del apocalipsis", "La Última Cena" is staged, it also includes testimonies of the transvestites in the brothel, in bars in locations of downtown Santiago.
Popsicles
Popsicles
Director
“This work is an interaction of the space, the symbols and the historical context in which I live as a woman on this side of the continent. It is a rosary of alarm, eternal and circular; the alarm of a woman who desires life, light, truth, and solidarity, but who instead sees and receives death and fear. It is a rejection of all that is destruction, and death, yet is depicted almost attractively as innocence.”
Performance San Pablo-San Martin
Performance San Pablo-San Martin
Director
Valuable documentary about the life conditions of female sex workers in Santiago de Chile in 1986