Editor
Above the Weather, the third part of the Alien Passions trilogy, takes the form of a road movie set in the atmosphere of a classical 50s Hollywood melodrama, shot against a background of industrial scenery from today’s Romania, with shabby oil pumps and derelict gas tanks. It makes reference to Douglas Sirk’s Written on the Wind (1957), taking the title literally, and hinting at the immaterial aspects of weather, and to the materiality of emotions, to the circuit linking affective and natural climates. It is a play on different temporalities, and follows how the end of humanity is recontextualized across different epochs – a 20s poem by Sara Teasdale on extinction, a 50s nuclear SF radio show, and the 80s Turkish Eurovision song Petrol.
Cinematography
Above the Weather, the third part of the Alien Passions trilogy, takes the form of a road movie set in the atmosphere of a classical 50s Hollywood melodrama, shot against a background of industrial scenery from today’s Romania, with shabby oil pumps and derelict gas tanks. It makes reference to Douglas Sirk’s Written on the Wind (1957), taking the title literally, and hinting at the immaterial aspects of weather, and to the materiality of emotions, to the circuit linking affective and natural climates. It is a play on different temporalities, and follows how the end of humanity is recontextualized across different epochs – a 20s poem by Sara Teasdale on extinction, a 50s nuclear SF radio show, and the 80s Turkish Eurovision song Petrol.
Assistant Location Manager
Tras la guerra de los Balcanes, una agente de la policía de Nebraska que viaja a Bosnia como observadora de las Naciones Unidas denuncia ante la ONU a una multinacional por haber encubierto varios casos de tráfico sexual. El guión se basa en la historia de Kathryn Bolkovac, que fue a Bosnia en 1999 como miembro del comité de las Naciones Unidas para el mantenimiento de la paz.
Still Photographer
Tras la guerra de los Balcanes, una agente de la policía de Nebraska que viaja a Bosnia como observadora de las Naciones Unidas denuncia ante la ONU a una multinacional por haber encubierto varios casos de tráfico sexual. El guión se basa en la historia de Kathryn Bolkovac, que fue a Bosnia en 1999 como miembro del comité de las Naciones Unidas para el mantenimiento de la paz.
