Maria Kaur Bedi

PelĂ­culas

Cinema Bruciato
Editor
In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.
Cinema Bruciato
Director of Photography
In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.
Cinema Bruciato
Writer
In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.
The Curse
Music
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Curse
Sound Mixer
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Curse
Editor
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Curse
Cinematography
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Curse
Producer
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Curse
Writer
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Curse
Director
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Curse
Herself
Maria and Satindar love each other, but his alcohol addiction fatally prevents a shared future.
The Only Ones
Director
After a young management consultant involuntarily stumbles over the roots of his identity in Muotathal, he struggles just like a fatefully interwoven "gothic girl" to break out of the narrowness of the valley and make peace with the past.
Facing Mecca
Lady at the Counter
Pensioner Roli comes to Fareed's assistance when the Syrian refugee is faced with the burial of his Muslim wife. Together they stumble into a bewildering forest of Swiss bureaucracy to which Roli finds beautifully simple answer.
Girl and Boy on the Rocks!
Director
At a party teeming with young artists and bon vivants, the everyday, and yet the extraordinary, is happening. On their quest to experience love and life, they talk carelessly, risking everything, and dance on in the neon lights of the night.