Glenn Ligon

Una introducción al trabajo de algunos de los artistas visuales negros más destacados que trabajan en la actualidad, inspirada en la histórica exposición de 1976 del difunto David Driskell, "Dos siglos de arte afroamericano".

An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration.

A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.

For this project Ligon originally intended to re-create the last scene of a 1903 silent film adaptation of the novel Uncle Tom’s Cabin from 1852. In the film, white actors in blackface played the principal roles. Tom, the film's protagonist and a slave, dies in the final scene, and images of the future—including the end of the American Civil War and the emancipation of slaves—materialize behind him. After footage of his reenactment was processed, Ligon discovered that the film was blurred and the imagery had disappeared. Leaving the footage unedited, he added a commissioned score played by the jazz pianist Jason Moran. In the final work, a cinematic scenario deeply intertwined with the complex and painful history of representations of ethnic difference has been transformed into a series of abstract black, white, and gray traces.