Producer
Dr. Rudy was an iconic psycho-guru and founder of “The Rudy Psychoanalytic Institute” – the largest in Israel during the 70’s. His controversial therapy methods forced him to fight for his reputation and the institute’s survival. His demise raises questions regarding abuse of power and moral boundaries.
Director
Two men, one woman and a baby is the formula for this alternative family. Dafna, a straight single woman, teamed up to have a baby with Itamar, a gay lawyer, and Kai, his German partner. Tensions grow throughout the pregnancy, and eventually erupt after the child is born - causing confrontation and separation. For over two years the film follows the characters as this fascinating story unveils.
Producer
Meir Eshel, a 22-year-old beach-boy from Southern Israel, buys a one-way ticket to Paris and re-invents himself as an artist calling himself Absalon. He quickly rises to art-scene stardom, showcased by the most prestigious museums worldwide: the Venice Bienalle, Centre Pompidou Paris, Tate Modern Gallery London, Israel Museum. Absalon’s success was short-lived – almost 7 years pass since his arrival in Paris until his tragic death, during the peak of his success at the age of 28. More than 25 years later, his younger brother Dani Eshel’s first assignment as estate manager – is to sell Absalon’s final art piece. Through his journey we learn about the life of a unique Israeli artist.
Producer
The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?
