Director
The film presents a portrait of Zied Abdellaoui who – seeking a better life – came to Austria through the Balkan route. He walked 4517km, experienced 26 illegal push-backs, several violent abuses and now resides without documents in Austria.
Director
Here I Have Picture presents a fragmented glimpse into the life of people on the move hiding in the unofficial camps in the forests on the EU border.
Director
Red Forests is a rethinking of the erection of the razor wire on the EU borders. It considers and reflects how the razor wire plays a role of a tool of governance and power. Additionally, the film is rethinking the forests along the EU borders – as geographical, natural as well as political spaces – that bear history of clandestine refuge as well as of clandestine solidarity practices.
Director
How to relate the first Lumière film about a train to dangerous scenes shot on a smartphone by contemporary refugees hidden between iron wheels? The maker is part of an activist movement striving to revive the independent, critical newsreel efforts of the 1960s and 1970s.
Director
Newsreel 62 reflects on the participation of two Syrian artists in a 1966 Yugoslavian art show celebrating the Universal Declaration of Human Rights, showcasing the relative ease with which objects (as opposed to people) can pass across borders.
Director
The film is a reshoot of the film Solidarity done by Joyce Wieland in the year 1973. It is a representation of the struggle of the workers in Ljubljana.
