Con poderosas secuencias de música de alta tecnología, las trayectorias de 8 cuerpos se tocan, rozan, evitan, atraen o se estrellan en la super textura de una película de ballet. Climax intenta retranscribir el sentimiento de pesadilla que escapa, por naturaleza, a la ficción y la memoria reales para interferir en la caja craneal con pantalones cortos, imágenes repetitivas, desestructuradas y obsesivas: aquí, las de una fantasía de asesinato.
Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).
