Bojina Panayotova
Historia
Bojina Panayotova was born in 1982, in Bulgaria. She was 8 years old when she arrived in France. She directed several shorts selected in many international festivals and also works as a scriptwriter.
"I see red people" is her first feature film as a director.
Screenplay
Camille, una joven fotógrafa muy idealista, decide viajar a la República Central Africana para cubrir la guerra civil que allí tiene lugar. Lo que ve cambia su vida para siempre.
herself
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
Sound
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
Editor
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
Cinematography
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
Writer
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
Director
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
Sound Recordist
“In Sofia, the residents of a mythical building had been evicted. I had come to hunt for film locations.” After this brief introductory title card, we discover what makes this Bulgarian building mythical, why its residents were evicted and how location-hunting turned into a film.
Editor
“In Sofia, the residents of a mythical building had been evicted. I had come to hunt for film locations.” After this brief introductory title card, we discover what makes this Bulgarian building mythical, why its residents were evicted and how location-hunting turned into a film.
Director of Photography
“In Sofia, the residents of a mythical building had been evicted. I had come to hunt for film locations.” After this brief introductory title card, we discover what makes this Bulgarian building mythical, why its residents were evicted and how location-hunting turned into a film.
Director
“In Sofia, the residents of a mythical building had been evicted. I had come to hunt for film locations.” After this brief introductory title card, we discover what makes this Bulgarian building mythical, why its residents were evicted and how location-hunting turned into a film.
Writer
Joanne is leaving. For Polly, the local mecanic's daughter, there is now just one thing to do: overcome innuendo and give full flight to their love affair. Polly is ready to do anything if it means experiencing life with Joanne.
