Eduardo Falú

Eduardo Falú

Nacimiento : 1923-07-07, El Galpón, Salta, Argentina

Muerte : 2013-08-09

Historia

Eduardo Falú (July 7, 1923 – August 9, 2013) was an Argentine folk music guitarist and composer. Eduardo Falú was born in El Galpón, a village near San José de Metán in the province of Salta, in 1923. His parents, Fada and Juan Falú, were Syrian immigrants. Raised in rural surroundings, he was strongly influenced by the folk traditions of Salta (which remain, in Falú's words, "something lively, dynamic and evolutionary"). Falú was given his first guitar as a gift during childhood, and he began to perform traditional folk tunes of the Argentine Northwest as a troubadour. He formed a duo with César Perdiguero, and became well known in the region during the 1940s. Largely self-taught, Falú deepened his knowledge of the guitar through study of the 19th century masters and was trained in harmony and theory by the prominent Argentine composer Carlos Guastavino. His increasing renown brought him to Buenos Aires in 1945, and he recorded his first album there in 1950. Among the volume of collaborations with many of the leading Argentine poets, perhaps the best-known are his compositions for lyrics written by Jaime Dávalos, among which some of the most popular are Zamba de la Candelaria, Trago de sombra, and Canción del jangadero. Falú wrote music for a number of Argentine historical epics, as well, including Romance de la Muerte de Juan Lavalle (written by Ernesto Sábato) and José Hernández (by Jorge Luis Borges). He performed overseas for the first time in Paris, in 1959. This was followed by performances in Rome, Los Angeles, Madrid, and numerous other cultural capitals. He was particularly popular in Japan, where from 1963 to 1973, he gave over 200 performances; in subsequent years, he also performed regularly in duos with his nephew, Juan Falú. Arguably the creator of Argentina's modern folk song movement, Falú has set over 150 poems to music. These have included Borges' and Dávalos', as well as those by León Benarós, Manuel J. Castilla, and Alberico Mansilla. Known for his Chamamé, Chacarera and Zamba compositions, Falú more recently composed two suites, Primera Suite Argentina (1996) and Segunda Suite Argentina (1999). The Government of Perú bestowed on him a Distinguished Service Award, and Falú's work earned him an important recognition by his Argentine colleagues in 1985, when he received the highest honor in the Argentine cultural realm, the Konex Award, as well as a Grand Prize by the Argentine Society of Music Composers (SADAIC). Falú's last album as a performer, published in 2009, was a tribute to classical Spanish guitarist Andrés Segovia. He died on August 9, 2013, at his home in the city of Buenos Aires, Argentina; he was 90. Source: Article "Eduardo Falú" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Perfil

Eduardo Falú

Películas

Mire que es lindo mi país
Self
Diversas canciones folklóricas innterpretadas por conocidas figuras del género.
El canto cuenta su historia
Un desfile de cuadros musicales que incluye fragmentos de películas argentinas y de un programa de televisión de Proartel que en 1965 transmitió Canal 13.
Los golpes bajos
Music
Ambientada en la época del primer peronismo, ascenso y caída de un boxeador, está visiblemente inspirada en la biografía de José María Gatica y su época.
Argentinísima II
Argentinísima II es una película filmada en colores de Argentina dirigida por Fernando Ayala y Héctor Olivera según su propio guion que se estrenó el 21 de junio de 1973 y que tuvo como actores principales a Ginamaría Hidalgo, Eduardo Falú, Jaime Dávalos y Raúl Barboza. Se proyecto la continuación para 1974 como Argentinísima III con argumento de Jaime Dávalos pero al no poder salvarse problemas con el título y la propiedad intelectual, no se realizó.
Argentinísima
Self
Argentinísima es una película filmada en colores de Argentina dirigida por Fernando Ayala y Héctor Olivera según el guion con argumento de Félix Luna con textos de Marcelo Simón que se estrenó el 8 de junio de 1972 y que tuvo como protagonistas a Atahualpa Yupanqui, Ariel Ramírez, Tránsito Cocomarola y Jovita Díaz. La exhibición de la película fue prohibida en mayo de 1973 en La Paz por incluir “pasajes que constituyen flagrantes plagios de usurpación de la música de Bolivia.
Bajo el signo de la patria
Music
Aspectos de la vida del general Manuel Belgrano entre el momento en que se hace cargo del Ejército del Norte y la batalla de Salta.
El cantor enamorado
A very nice young singer wants to succeed in Cosquín.
Cosquín, amor y folklore
In a couple who travel to Córdoba for their honeymoon, the folklore enchants her and bores him.
Cerro Guanaco
Music
Los duendes de la fiesta del Carnaval Catamarqueño (La Chaya) y su acción sobre los arrieros.