Fanny Mazoyer

With his one-eyed eye, his imposing build and his almost sixty years of age, Raphael knows that he scares people. He lives with his mother in a pavilion located on the vast estate of the manor of which he is the guardian. Since the owners died, he leads a quiet existence. Everything changes the night when the heiress, Garance, returns to the family home.

A Swiss village, Elisabeth, 17, returns home from the convent after learning of her sister's mysterious death. Reunited with her three childhood friends she discovers that faith and desire can sometimes be intertwined.

Prudence Ledoux is 35 and unhappy with her life when she gets hit by a motorcycle. At the hospital, she meets Theo who provoked the accident.

In the summer of her seventh birthday, Selma is molested by an associate of her father’s who soon appears to her in the guise of an animal. Shocked, Selma discovers the power of her own language as a bulwark against adult violence.

A voice announces: «The story begins with a train ride. The main character returns to the city of his childhood for a day.» With his dog, Edouard is passing through Le Touquet, the northern French seaside resort where he grew up. There, he meets Giulia, his childhood sweetheart, who lived on the other side of the bridge, in the fishing village.

It's Tonio's first time in Corsica. He wanders across the island and on dating apps until stumbling upon the Oracle, a user who tells him about gay life in Corsica. Their conversation is reenacted with an actor who seems to connect deeply with the Oracle's story.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

One night in October 2011, a mysterious dream gives birth to Cuco, a transgender latex pirate.

Lindsay and Leslie meet like almost every day to kill time together. Except that today they want to get out of their daily lives, to meet new people, to experience something special.

Summer 2016, somewhere in French provencal Drôme, a mysterious plague strikes in the villages: swarms of white butterflies invaded the area. At dusk, everyone is locked up home, trapped by the seemingly unstoppable vermin. As the big swarm approaches, Lou discovers both the strange insects and her feelings for her friend Sam. By the end of the season, the moths will have devastated the entirety of the century-old box trees, leaving a ruined landscape behind them.

End of summer. An isolated house in the countryside. Jo, devoted to music creation, spends her time locked in her barn composing. She neglects her little brother whom she takes care of. A few days before a new tour, she discovers her body has been transformed.

Sarah, a disabled girl aged about twenty, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner, Victoria, a transsexual woman, will upset the family balance.

Having come from the sea, two young sportswomen are paddling their canoe with all their strength on a vast plain. They meet some of the inhabitants, whose activities and narratives evoke a human story of its own. A committed film, like an on-sight navigation in quest of a realistic fable.