Morgan Schmidt-Feng

1980s New York was a very different place to the bustling cosmopolitan tourist magnet we know now, and the neighborhood that housed the Ravenite Social Club was a far cry from the gentrified boutique strip that exists today. Yet this series of interviews with the then-young artist clique who lived alongside one of the most prolific mafia networks offers a vivid insight into a city's colorful past.

En la secuela de" Verano en el viñedo", Frankie y Nate son ahora una pareja y se preparan para el Summer Fest, el evento más grande de la ciudad. No pueden esperar para revelar su nuevo vino y poner el viñedo en el mapa. Pero cuando un problema con el vino pone las cosas en peligro, tanto la relación como la asociación se pondrán a prueba.

Nikki es admitida a trabajar en el restaurante de su ídolo. Una vez que es despedida injustamente junto a un amigo, decide abrir su propio negocio y demostrar que su comida es mejor.

The old west is certainly dead, but Colorado pack burro racers don't know it yet. Everett Winfield - played by five-time world champion burro racer Curtis Imrie - runs and breeds his own stock. But all is not well at the ranch. When a bank officer refuses him a home loan, Winfield unwisely flaunts the prospects of winning $5000 at an upcoming race as his 'employment record.' Of course it's no dice. As options narrow, his current girlfriend offers to share her homestead. But not one to relinquish his free-range freedoms, Winfield instead becomes involved with a young rodeo queen half his age, to the chagrin of his same-age niece. As morals slip, and the financial noose tightens, Winfield drifts toward setting things right, old-west style.

Ben Burtt and his team explain the process of creating the sound for Star Wars: Episode II - Attack of the Clones (2002) in the all-new documentary "Films Are Not Released, They Escape".

For Star Wars: Episode II - Attack of the Clones (2002), there were to be many more visual effects than in Star Wars: Episode I - The Phantom Menace (1999). This documentary shows many VFX meetings between George Lucas and ILM. Many of these meetings focus around the creation of a completely digital Yoda, used for the first time in the Star Wars films.

Chetzemoka's Curse is about a young, twenty-something woman, Maya (Maya Berthoud), who is haunted by the memory of her first love and her subsequent betrayal. She still feels the pain, works to exorcise it as she wiles away her life as a maid in a small town hotel. But her road to health seems to include passing the bad karma along. She encourages an older married man to run off with her and betray his wife and kids. Betrayal is in the air. Even an itinerant street musician sings about his infidelity. Bottom line, he says, is that he betrayed himself.

Chetzemoka's Curse is about a young, twenty-something woman, Maya (Maya Berthoud), who is haunted by the memory of her first love and her subsequent betrayal. She still feels the pain, works to exorcise it as she wiles away her life as a maid in a small town hotel. But her road to health seems to include passing the bad karma along. She encourages an older married man to run off with her and betray his wife and kids. Betrayal is in the air. Even an itinerant street musician sings about his infidelity. Bottom line, he says, is that he betrayed himself.

Chetzemoka's Curse is about a young, twenty-something woman, Maya (Maya Berthoud), who is haunted by the memory of her first love and her subsequent betrayal. She still feels the pain, works to exorcise it as she wiles away her life as a maid in a small town hotel. But her road to health seems to include passing the bad karma along. She encourages an older married man to run off with her and betray his wife and kids. Betrayal is in the air. Even an itinerant street musician sings about his infidelity. Bottom line, he says, is that he betrayed himself.

CRASH MY FUNERAL is a surreal comedy about a scriptwriter's block. In an attempt to pull his movie back on track he employs drastic measures; trying out impossible dialogue on a pizza delivery man, wandering around the neighborhood to scare up new characters and scenes, hoping for inspiration from every pretty girl that passes his way. In the end he realizes that the creation of art, for him, isn't fictional at all, but merely a collage of real-life moments in which he finds meaning and delight. Produced as part of Rick Schmidt Workshop.

CRASH MY FUNERAL is a surreal comedy about a scriptwriter's block. In an attempt to pull his movie back on track he employs drastic measures; trying out impossible dialogue on a pizza delivery man, wandering around the neighborhood to scare up new characters and scenes, hoping for inspiration from every pretty girl that passes his way. In the end he realizes that the creation of art, for him, isn't fictional at all, but merely a collage of real-life moments in which he finds meaning and delight. Produced as part of Rick Schmidt Workshop.

"MORGAN’S CAKE is the story of a young man (Morgan Schmidt-Feng) about to turn 18, and all the problems that are set to befall him. His girlfriend is pregnant, he’s just lost his job, his mother is deserting him for a career move to New York City, and his divorced dad (Willie Boy Walker) can barely afford the small office space in which they live. Morgan’s most pressing problem is whether or not to register for the draft, and Walker, in a bravura performance, shares a real-life story of how he avoided military service in the late 1960’s. After a series of fateful encounters, Morgan finally saves his sanity by baking a cake." (from Fandor.com)

"MORGAN’S CAKE is the story of a young man (Morgan Schmidt-Feng) about to turn 18, and all the problems that are set to befall him. His girlfriend is pregnant, he’s just lost his job, his mother is deserting him for a career move to New York City, and his divorced dad (Willie Boy Walker) can barely afford the small office space in which they live. Morgan’s most pressing problem is whether or not to register for the draft, and Walker, in a bravura performance, shares a real-life story of how he avoided military service in the late 1960’s. After a series of fateful encounters, Morgan finally saves his sanity by baking a cake." (from Fandor.com)