Christos Voupouras

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Pandelis is a garbageman who is anxiously waiting to retire and receive his well-earned superannuation payout. His wife and mother-in-law are also awaiting the super payout, but they have different ideas as to how the money should be spent. The usually submissive and calm Pandelis suddenly decides to react... Philippides does a sterling job as the long-suffering Pandelis and his vicissitudes leave one with a warm feeling. Unlikely though the scenario may seem, one wishes it to be true, thus giving hope for the many Pandelides out there who find themselves contemplating life in their middle years with regret and disappointment.

This Greek-Bulgarian-Cypriot co-production depicts the plight of Albanian illegals in Athens and its Piraeus port. Greek intellectual Christos (Akis Sakellariou) unintentionally falls in with a streetwise group of manipulative Albanian scam artists, including Victor (Armando Dauti) Omer (Laert Vasili) and Fuad (Muzafer Et' Hem Zifla). Minus papers, they are nevertheless successfully able to get by in Greece. Eventually, Christos takes a trip to the Albanian village where the duo grew up amid murderous blood feuds.

This Greek-Bulgarian-Cypriot co-production depicts the plight of Albanian illegals in Athens and its Piraeus port. Greek intellectual Christos (Akis Sakellariou) unintentionally falls in with a streetwise group of manipulative Albanian scam artists, including Victor (Armando Dauti) Omer (Laert Vasili) and Fuad (Muzafer Et' Hem Zifla). Minus papers, they are nevertheless successfully able to get by in Greece. Eventually, Christos takes a trip to the Albanian village where the duo grew up amid murderous blood feuds.

An employee of a pharmaceutical company is unjustly accused of doping a racehorse and finds refuge in a provincial troupe, where he becomes the man for all errands.

This film is about life at a country health resort seen through the eyes of Christos, a young man from Athens who has just been discharged from the army. Christos is there because he is enthralled by the rebellious Manolis, a three-time army deserter his same age.

This film is about life at a country health resort seen through the eyes of Christos, a young man from Athens who has just been discharged from the army. Christos is there because he is enthralled by the rebellious Manolis, a three-time army deserter his same age.

Aris and Thanos are good friends and they share an apartment. The arrival of Stella will unbalance their relationship.