Pooh-Bah
Escaping from a distasteful marriage, Nanki-Poo, the son of the Mikado, arrives in the town of Titipu - disguised as a musician. He has chosen Titipu because a beautiful girl, Yum-Yum, with whom he has fallen in love, lives in the town. A desire to marry Yum-Yum, however, is not enough. Nanki-Poo has to contend with her guardian, Ko-Ko, the Lord High Executioner, who has every intention of marrying Yum-Yum, himself. Problems are compounded when the Mikado, accompanied by Katisha, Nanki-Poo's jilted bride, also arrive in the hitherto peaceful town of Titipu
Leporello (bass)
Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.
