Jean-Pierre Saire

Maverick director Melvin Van Peebles translates his own satirical novel to the screen with this multi-national portrait of race, class, and hypocrisy. The film's title refers to the name of a haute cuisine restaurant run by a self-satisfied conservative couple, Henri and Loretta. When the two find themselves overworked in the kitchen, they retreat to the local orphanage to find some cheap waitressing help, and the teenaged Diamantine fits the bill perfectly. The haughty couple has more plans for the girl than just waiting tables, however -- the conspicuously accommodating Henri and Loretta are actually bad-mouthing the girl behind her back to the townspeople and the restaurant's patrons. They go so far as to ask the naive Diamantine to pretend that she's pregnant, and she complies under the assumption that it's a harmless prank. When their intentions are revealed, however, the girl becomes wise to the couple's self-satisfied scheming, and sets her sights on revenge.

Focuses primarily on three women and the (unseen) man who goes in and out of their lives. One member of this trio is a saleswoman with an open relationship that suddenly closes when she learns that her lover has been unfaithful. It seems that he has dallied with a book-dealer (her nemesis) who ultimately does not propose as much of a threat to the disillusioned saleswoman as a certain actress. Along with these three are several other females who interact with the main protagonists. Set up more in the manner of a stage play with changing scenes and acts.

An American passing through France is hosted one stormy night by a couple who soon use his services shamelessly. A very curious way for the young foreigner to find his roots.