Director of Photography
A blackmarket cannabis dealer gets squeezed out of the business when marijuana becomes legal, and is forced to make one last deal with the people he should trust the least.
Cinematography
When Sam's struggle with loneliness and isolation brings the return of a haunting presence from her childhood, she is forced to question what is real and what isn't.
Colorist
Ainsley (Kelsey Gunn) is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Camera Operator
Ainsley (Kelsey Gunn) is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Editor
Ainsley (Kelsey Gunn) is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Cinematography
Ainsley (Kelsey Gunn) is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Producer
Ainsley (Kelsey Gunn) is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Writer
Ainsley (Kelsey Gunn) is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Director
Ainsley (Kelsey Gunn) is a misanthrope who hates people but when she suddenly finds herself in isolation with no one to talk to, she realizes how much she actually misses connection. Enter Ulysses, a dead mouse in a jar. With a little bit of loneliness, a pinch of imagination, and a mouse-sized tuxedo, Ulysses becomes her training wheels in this newly discovered world of friendship.
Director of Photography
A pretentious New York author lands in a small town and meets his match in a local Uber driver.
Editor
Mabel nos relata a través de sus vivencias cómo es que a tan corta edad inicia en un mundo de prostitución llevándola a un proceso de evolución y transformación a lo largo de su vida
Second Unit Director
AJ Parker, su exmarido y un agente federal se dirigen a un pueblo fantasma en México llamado Paradise en busca de un alijo oculto de 5000 monedas de oro de 20 dólares de doble águila robadas.
Cinematography
When a young woman is interrogated, she must relive the traumatic events of a brutal crime, in order to discover the assailant's true identity.
