Color Designer
Everything Will Change is a feature-length documentary concert film of The Postal Service’s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
Editor
Everything Will Change is a feature-length documentary concert film of The Postal Service’s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
Producer
Everything Will Change is a feature-length documentary concert film of The Postal Service’s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
Director
Everything Will Change is a feature-length documentary concert film of The Postal Service’s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
Editor
Last November at the Walt Disney Concert Hall in Los Angeles, some of today's most influential artists gathered to celebrate the music of Bob Mould. Dave Grohl (Foo Fighters), Britt Daniel (Spoon), Ryan Adams, No Age, Craig Finn and Tad Kubler (The Hold Steady), Margaret Cho with Grant Lee Phillips, and Jessica Dobson (The Shins, Deep Sea Diver) all performed songs from Bob's historic catalog. Until now, only the 2,265 concert attendees have seen these amazing performances. Fortunately, the entire evening was captured in stunning audio and high-quality video quality by filmmaker Justin Mitchell.
Cinematography
Last November at the Walt Disney Concert Hall in Los Angeles, some of today's most influential artists gathered to celebrate the music of Bob Mould. Dave Grohl (Foo Fighters), Britt Daniel (Spoon), Ryan Adams, No Age, Craig Finn and Tad Kubler (The Hold Steady), Margaret Cho with Grant Lee Phillips, and Jessica Dobson (The Shins, Deep Sea Diver) all performed songs from Bob's historic catalog. Until now, only the 2,265 concert attendees have seen these amazing performances. Fortunately, the entire evening was captured in stunning audio and high-quality video quality by filmmaker Justin Mitchell.
Writer
Last November at the Walt Disney Concert Hall in Los Angeles, some of today's most influential artists gathered to celebrate the music of Bob Mould. Dave Grohl (Foo Fighters), Britt Daniel (Spoon), Ryan Adams, No Age, Craig Finn and Tad Kubler (The Hold Steady), Margaret Cho with Grant Lee Phillips, and Jessica Dobson (The Shins, Deep Sea Diver) all performed songs from Bob's historic catalog. Until now, only the 2,265 concert attendees have seen these amazing performances. Fortunately, the entire evening was captured in stunning audio and high-quality video quality by filmmaker Justin Mitchell.
Director
Last November at the Walt Disney Concert Hall in Los Angeles, some of today's most influential artists gathered to celebrate the music of Bob Mould. Dave Grohl (Foo Fighters), Britt Daniel (Spoon), Ryan Adams, No Age, Craig Finn and Tad Kubler (The Hold Steady), Margaret Cho with Grant Lee Phillips, and Jessica Dobson (The Shins, Deep Sea Diver) all performed songs from Bob's historic catalog. Until now, only the 2,265 concert attendees have seen these amazing performances. Fortunately, the entire evening was captured in stunning audio and high-quality video quality by filmmaker Justin Mitchell.
Camera Operator
Polémico documental (o mejor dicho, aparente falso documental) que sigue la transformación de Joaquin Phoenix de actor a cantante de hip-hop. Tras "Two Lovers", el actor declaró estar cansado de actuar, que abandonaba el mundo de la interpretación, y que en el futuro se dedicaría en exclusiva a su faceta de cantante. En sus escasas apariciones en los medios, un casi irreconocible Phoenix mostraba, además, un comportamiento cada vez más extraño y poco sociable, y siempre su cuñado y gran amigo Casey Affleck solía estar cerca con una cámara para rodar lo que pasaba. Dada la naturaleza de algunas imágenes, que incluyen desnudos frontales masculinos, consumo de drogas y Phoenix teniendo sexo oral, todo parecía ser real.
Writer
RIO BREAKS is more than just a film about surfing. It follows the story of two best friends, Fabio and Naama, as they navigate their way between the pitfalls of life in the slums and the joys of surfing on their favorite beach. Their goal: to win the contest and become professional surfers. Thirteen-year-old Fabio and 12-year-old Naama live at Favela do Pavao, an enormous slum near Arpoador Beach, in Rio de Janeiro, Brazil. Pavao is home to Commando Vermelho (CV), or Red Command, one of Rio's most heavily armed drug gangs. It's the Red Command who sets the rules and regulates life in the community. Their presence is ubiquitous, with armed soldiers constantly patrolling the hills and regulating the various points of sale. Fabio lives in an area of the favela called Vietnam, the poorest and most violent part of the slum.
Director
RIO BREAKS is more than just a film about surfing. It follows the story of two best friends, Fabio and Naama, as they navigate their way between the pitfalls of life in the slums and the joys of surfing on their favorite beach. Their goal: to win the contest and become professional surfers. Thirteen-year-old Fabio and 12-year-old Naama live at Favela do Pavao, an enormous slum near Arpoador Beach, in Rio de Janeiro, Brazil. Pavao is home to Commando Vermelho (CV), or Red Command, one of Rio's most heavily armed drug gangs. It's the Red Command who sets the rules and regulates life in the community. Their presence is ubiquitous, with armed soldiers constantly patrolling the hills and regulating the various points of sale. Fabio lives in an area of the favela called Vietnam, the poorest and most violent part of the slum.
Director
Drive Well, Sleep Carefully joins Death Cab for Cutie on tour in the spring of 2004. Filmmaker Justin Mitchell captured dozens of shows across the country and interviewed the band at length in their hometown of Seattle, WA. Shot entirely on 16mm film, the live footage is mixed with candid conversations about the creative process, the band's dedication to their work and life on the road.
3D Artist
Cuando la berlinense Mieke se declara, vía e-mail, al norteamericano Scott, éste la rechaza creyendo que es un hombre. Cuando descubre su error intenta ponerse en contacto con ella, pero resulta imposible. La única forma de conquistarla parece viajar hasta Berlín (Alemania) y para ello, en su viaje le acompañarán su amigo Cooper y los gemelos Jenny y Jamie.
Lead Animator
Freddy Krueger necesita el miedo de la gente para regresar, por lo que decide resucitar al temible Jason. Pero el protagonista de "Viernes 13" no está dispuesto a dejarle el camino libre. Este formato que enfrenta a dos personajes míticos del celuloide no es nada nuevo en el cine: Frankenstein ya se encaró al hombre lobo en 1943 y 28 años más tarde resucitó para luchar contra Drácula. También, a lo largo del siglo XX, llegó el gigantesco Godzilla dispuesto a terminar con King Kong y una serie de mutantes que iban sembrando el pánico por Japón. En esta ocasión, fueron dos de los asesinos estrella de las películas de la década de 1980 los que se unieron. El resultado, el esperado: muertes, descuartizamientos y chicas ligeras de ropa.
Director
Dirty Old Town is a day in the life of Ted Leo, with the Pharmacists, as he descends on Coney Island, NY. Ted Leo mixes his punk politics, intricate songwriting and blistering guitar work and spits them out as earnest catchy-as-hell rock. The full-length concert film is mixed with in-depth interviews with Ted Leo and images of one of the most unique places in America.
Director
In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.