Nadia Parfan

Kyiv in 2022. A car races at breakneck speed through the city at dawn. Filmed from a subjective camera angle in a single unedited shot, this film captures the emotions in a state of emergency caused by the war.

Kyiv in 2022. A car races at breakneck speed through the city at dawn. Filmed from a subjective camera angle in a single unedited shot, this film captures the emotions in a state of emergency caused by the war.

A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.

This a playful film bringing us back to childhood, where everything started. It portraits seven girls who have grown up and who now "rock". They won't be talking about success, but they are the ones who know the rules of the game, and who also know how to violate them correctly. The film is a collective portrait of seven outstanding women in modern Ukrainian culture: writer Sofia Adrukhovych, cultural journalist Vira Baldyniuk, conductor Oksana Lyniv, artist Alina Kleytman, theatre director Tamara Trunova, cultural manager Yulia Fediv and film director Iryna Tsilyk.

This a playful film bringing us back to childhood, where everything started. It portraits seven girls who have grown up and who now "rock". They won't be talking about success, but they are the ones who know the rules of the game, and who also know how to violate them correctly. The film is a collective portrait of seven outstanding women in modern Ukrainian culture: writer Sofia Adrukhovych, cultural journalist Vira Baldyniuk, conductor Oksana Lyniv, artist Alina Kleytman, theatre director Tamara Trunova, cultural manager Yulia Fediv and film director Iryna Tsilyk.

The municipal district heating company from Ivano-Frankivsk has a cultural offer for its employees. To break away from their daily routine, run-down infrastructure and troublesome clients, they may come to sing in the company choir once a week. The folk and patriotic songs they practice at rehearsals become a bridge between the past communist era and the new political and economic reality. They help them to deal with the shock of transformation and simply spend some time together, just like in the good old times.

The municipal district heating company from Ivano-Frankivsk has a cultural offer for its employees. To break away from their daily routine, run-down infrastructure and troublesome clients, they may come to sing in the company choir once a week. The folk and patriotic songs they practice at rehearsals become a bridge between the past communist era and the new political and economic reality. They help them to deal with the shock of transformation and simply spend some time together, just like in the good old times.

This is a documentary story of love, a story about the long-distance relationship that started in September 2014, while war in Ukraine and the economic crisis in Greece were taking a dramatic turn.

Enerhodar is a city that functions with the routine of its power plants. Every day thousands of people return to the reinforced concrete hive. After work, Oleksіy, like the rest, gets on the bus, but he doesn't go home. He goes to create a free space of wood and metal. Or maybe it's a dream?

An attempt by a young director to reflect on her own professional aspirations while looking at another director who has been trying for decades to establish an avant-garde theatre in a provincial Donbass town. Now it is his last attempt – what will it bring?

Life flows in its everyday reality, but then suddenly something elusive changes its course. All that is left is the chance to plunge into memories where everything is preserved, as if in a museum.

The main exposition of the museum in Avdiivka was dedicated to the Caucasus. In 2015, exposition was partly destroyed due to a Russian projectile. But now in Avdiivka there is again a people's museum - a place where the most wonderful ideas come to life.

At some point, one has to move out. A man decided to take care of his new house in advance.

At some point, one has to move out. A man decided to take care of his new house in advance.

At some point, one has to move out. A man decided to take care of his new house in advance.

At some point, one has to move out. A man decided to take care of his new house in advance.

Tolik had a dream, to flip over penguins over. It didn’t go well with the Antarctic. His dream came true in the Anti-Terrorist Operation Zone. But the film is not about it. The film is about teeth.

Mom feeds little birds from the window of a panel building in Mariupol, Ukraine, and grows quince in her dacha garden near the battle line. Telling about her simple life, the woman shoots videos for her daughter, who lives in Kyiv and often doesn't pick up the phone.

They say whatever doesn’t kill us makes us stronger. But how to start everything over and don’t lose taste to life? New home, new friends, new job, new family, new values… This is life story of one refugee from Donetsk city who was forced to leave her new dream house on one day and escaped from the war with little child in her hands. How does this story differ from 1,5 million similar dramas of other refugees from eastern Ukraine? Maybe, these are amazing vitality, positive philosophy of being and irresistible optimism in spite of the circumstances...

Mariupol is an industrial city on Azov sea. I went there as a young sailor 20 years ago. The places alive in my memory are mostly destroyed. The battle-line of the Russian-Ukrainian war is just nearby the city. In the night I can hear the bombing. However, I am looking for the miracle there.

Metro is a factory of rush for the passengers. Thousands, who do not hurry to break the circulation schedule, work to create the rhythm. What does the escalator controller think of, sitting inside her booth during the rush hour? How do the cashiers see us through the window of their own, separate world, decorated with flowerpots? What a metro worker in the small room with found items loses?

How far can you go on the way to your dream? Zhenia and Maks stopped going to the office and took up music seriously. Their band is called Reve ta Stohne. The guys do growl singing and dream of becoming real rock stars. However, for a start they need a music video and a studio album. And most of all they need money to pay for them. In search of income, Reve ta Stohne travels to the West.

How far can you go on the way to your dream? Zhenia and Maks stopped going to the office and took up music seriously. Their band is called Reve ta Stohne. The guys do growl singing and dream of becoming real rock stars. However, for a start they need a music video and a studio album. And most of all they need money to pay for them. In search of income, Reve ta Stohne travels to the West.

How far can you go on the way to your dream? Zhenia and Maks stopped going to the office and took up music seriously. Their band is called Reve ta Stohne. The guys do growl singing and dream of becoming real rock stars. However, for a start they need a music video and a studio album. And most of all they need money to pay for them. In search of income, Reve ta Stohne travels to the West.

When Brovary village officially became a town, one third of its residents were communist. After 60 years and three revolutions such proportion didn’t change: thirty percent of its streets keep the names of the former empire.

The Petrivka book market is a place where everyone brings their old books they no longer need. The market sellers are people of the old school who still perceive books as a sort of currency.

The protagonist of the film is time in a provincial town, which is not measured in minutes, hours or days, but in certain events.

Kramatorsk may not be the nicest place - a town of factories and broken infrastructure - but its denizens find much to love there, reflecting on their home with frankness and warmth.

A young Orthodox priest, fed up with too much intolerance and hypocrisy at the Kyiv Pechery Lavra, decides to leave his service there. He finds for himself a new flock: gays, lesbians, bisexual and transgender people as well as those living with HIV/AIDS. However, the official Orthodox Church denies them in the right to be Christians and homophobic society compels them to hide their sexual orientation. What has to happen to make the Church embower LGBT believers?