Alessandro Ghiara

Películas

A la luz del sol
Camera Operator
In 1990s Palermo, Pino Puglisi is a priest from the neglected Brancaccio neighborhood dedicated in helping kids to get off the streets and creating an embracing place of hope and solidarity in his church, which means trouble for the local Mafia. He continues his solitary fight until the bitter end.
'o Re
Assistant Camera
One of the key factors in Italian unification was the overthrow in 1860 of Francesco, the King of Naples and the two Sicilies, who went into elegant but impoverished exile in Rome with his Queen, Maria Sofia. This seriocomic drama follows the deposed royals as they adapt to their new lives. The former king has recognized the political finality of his deposition, but his queen has taken to traveling in men's clothing all over Italy trying to foment an uprising to restore them to the throne. She is also frantic to have a baby, an heir, but the king has become celibate as a kind of homage to his beloved mother; he spends all his time lobbying the Vatican to get her declared a saint.
La misa ha terminado
Second Assistant Camera
Tras ejercer sus funciones en una isla del sur de Italia, un joven sacerdote es destinado por sus superiores a una parroquia de Roma. Allí se reencontrará con su familia y con sus amigos e intentará, en la medida de sus posibilidades, cambiar las cosas; pero el fracaso lo acechará, y su posterior crisis personal y profesional le harán cuestionarse su labor dentro de la Iglesia
Casablanca, Casablanca
Second Assistant Camera
Francesco forgot billiards because now he lives with Chiara. She is a musician and she would like to become famous. Francesco is different: he found in her the reason of his life. But when she accepts a job far from home, Francesco comes back to billiards.
Un pobre rico
Second Assistant Camera
Un hombre entra en crisis al saber que puede quedar arruinado pronto. Su psiquiatra le recomienda que se haga pasar por pobre, para empezar a asumir así una nueva condición social
Sueños dorados (Sueños de oro)
Second Assistant Camera
Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.