Kevin Clarke

Películas

Funeral March
Falsetta Knockers
Falsetta Knockers crawls out of the crypt to mark the closing of The Stud Bar’s legendary 9th & Harrison location, a notorious San Francisco landmark for drag, performance, and nightlife which fell prey to the COVID-19 pandemic.
Funeral March
Editor
Falsetta Knockers crawls out of the crypt to mark the closing of The Stud Bar’s legendary 9th & Harrison location, a notorious San Francisco landmark for drag, performance, and nightlife which fell prey to the COVID-19 pandemic.
Funeral March
Producer
Falsetta Knockers crawls out of the crypt to mark the closing of The Stud Bar’s legendary 9th & Harrison location, a notorious San Francisco landmark for drag, performance, and nightlife which fell prey to the COVID-19 pandemic.
Funeral March
Writer
Falsetta Knockers crawls out of the crypt to mark the closing of The Stud Bar’s legendary 9th & Harrison location, a notorious San Francisco landmark for drag, performance, and nightlife which fell prey to the COVID-19 pandemic.
Funeral March
Director
Falsetta Knockers crawls out of the crypt to mark the closing of The Stud Bar’s legendary 9th & Harrison location, a notorious San Francisco landmark for drag, performance, and nightlife which fell prey to the COVID-19 pandemic.
Pushing Dead
Cashier
When a struggling writer, HIV positive for 20+ years, accidentally deposits a $100 birthday check, he is dropped from his health plan for earning too much. In this new era of sort-of universal care, can he take on a helpless bureaucracy or come up with $3000 a month to buy meds on his own?
Folsom Street
A kink and fetish fueled dance explosion in celebration of the 2015 Folsom Street Fair.
We Only Sleep on Xanny Bars and Then We Don't Dream
Child Reader
A trip through the queer underground and perverted subconscious of San Francisco's id.
Test
Bill
EEUU /// San Francisco, 1985. El test para detectar en sangre el VIH comienza a practicarse en un contexto en el que la comunidad gay, célebre por su creativa y disidente práctica de los placeres sexuales, se enfrenta a un nuevo estigma traducido como la ira de la naturaleza sobre cuerpos negados a “una verdad”. Alegorizados como efectos virales de la culpa, estos cuerpos pasan a ser considerados una amenaza contra la salud pública.