Writer
Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.
Hermit
Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.
Screenplay
The story takes place in Czechoslovakia in 1987. The father has defected to England and the mother and her son are planning to leave the country to reunite with him. The film is told through the eyes of the fourteen year old boy, his rankled look without the veneer of experience and initiation in one day. Autobiographical.
En Europa se está produciendo una curiosa corriente: su población envejece, pero están creciendo los clubes deportivos para gente mayor. Esto es en lo que se basa el documental. 'Olímpicamente grandes', un filme protagonizado por atletas de entre 80 y 100 años. Cada uno de ellos tiene su propia historia: algunos han superado problemas personales, han sobrevivido a la guerra o han vencido a una enfermedad que amenazaba con quitarles la vida. Ahora todos ellos están unidos por el deporte y tienen como objetivo llegar en buenas condiciones al campeonato del mundo de atletismo para mayores de Finlandia.
Dramaturgy
Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.
Screenplay
Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.
