Léo Richard

The story of Cross Words is based on a news item, which quickly becomes a pretext for a sensitive, sensual portrait of a generation represented by two main characters, Pierre and Mila, and a group of thirty-somethings. They’re journalists, teachers, carpenters and artists, between Paris, Marseille and Brussels. Valero portrays fragments of everyday life, interweaving them with impressionistic urban and bucolic slivers.

Louise revisits her childhood when her family decides to sell their farm. 20 years ago, she was Louloute, a mischievous and exuberant little girl, helping her father with their farm, fighting with her siblings and worrying her mother… When the family's debts accumulate and overwhelm them, tender childhood moments become intertwined with the harsh adult reality of a disappearing rural world.

It’s firstly the portrait of an area, France’s north coast between Dunkirk and Calais, where Olivier Derousseau lives and works: ransacked landscapes, port installations, plumes of smoke from the chimneys of petrochemical facilities, blown by the wind… It’s also a musical suite in five parts, a kind of minimalist blues lovingly composed in memory of time and people that have disappeared: the constant bass of juggernauts on the motorway, the percussion of the wind in the microphones, all the world’s sounds blending into a repetitive guitar thread. And it’s a melancholy meditation on the stuff of days, the flesh of the future, on irretrievable erasure and the traces waiting and hoping to be saved.

On the beach of Casablanca, the desire of two adolescents keeps a low profile. Children like adults keep an eye out. A fight distracts attention.

Joseph isn't particularly happy, even though he's good at hiding it. The day his brother dies, he becomes certain he'll miss out on his life. So that it doesn't slip away from him, one night he gives in to his desire.

Ideas improve. With the help of the meaning of words. Plagiarism is essential. Progress implies it. It embraces a writer's sentence, uses his expressions, erases a false idea, replaces it with the right one.

Ideas improve. With the help of the meaning of words. Plagiarism is essential. Progress implies it. It embraces a writer's sentence, uses his expressions, erases a false idea, replaces it with the right one.

Ideas improve. With the help of the meaning of words. Plagiarism is essential. Progress implies it. It embraces a writer's sentence, uses his expressions, erases a false idea, replaces it with the right one.

Ideas improve. With the help of the meaning of words. Plagiarism is essential. Progress implies it. It embraces a writer's sentence, uses his expressions, erases a false idea, replaces it with the right one.

Ana regresa a París después de un largo viaje y sin ahorros. Sin otro lugar donde vivir a su regreso, se queda con sus amigos, esperando que se presente una situación mejor. Así comienza el deambular de Ana por la ciudad, un corto viaje cinematográfico surrealista en una noche de su propia melancolía.

For his last day at the office, Grégoire introduces his new ninth grade intern to the rest of his computer graphics team, which currently works on a groundbreaking aquarium/swimming-pool project. It might be the last opportunity for Grégoire to say goodbye to his colleagues before his retirement.

There is a special brigade dedicated to camera thefts in Lisbon. Few cameras are found, although sometimes tapes are thrown in the gutter like lost memories. Policemen watch these tapes hoping to find clues in this flow of touristic and intimate video recordings. One image leads the investigation to France.

There is a special brigade dedicated to camera thefts in Lisbon. Few cameras are found, although sometimes tapes are thrown in the gutter like lost memories. Policemen watch these tapes hoping to find clues in this flow of touristic and intimate video recordings. One image leads the investigation to France.

There is a special brigade dedicated to camera thefts in Lisbon. Few cameras are found, although sometimes tapes are thrown in the gutter like lost memories. Policemen watch these tapes hoping to find clues in this flow of touristic and intimate video recordings. One image leads the investigation to France.

Three supernatural tales where eternity items are being traded and, within easy reach, put our time, image and language landmarks in jeopardy.

12th century: Cosme, a young monk runs away from his abbey to search for his father, whom he has never met. Meanwhile, he meets four “goliards”, young people trying to live at the present. With them, he will begin to walk on the path that leads to oneself…