Sumo referee
Ma llega a Japón en busca de los asesinos de su familia y su pueblo en China. Su odio hacia los japoneses le hace desear la muerte de todos ellos. Su historia de venganza se verá entrelazada con la disputa entre dos escuelas de kárate, siendo el principal culpables de su tragedia el maestro de una de esas escuelas.
A great Kung Fu expert is murdered by a gang of thugs who are accompanied by a Japanese warlord. The Kung Fu experts young son is also attacked by the thugs and turned into a mute. 10 years later, the boy, now a young man, goes after the men who slaughtered his family.
Shaw Brothers starlet Tien stars as the mythical deity Red Boy. He is sent by the gods to do battle with the monkey King who is up to more magical mischief than is good for him.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
After being abandoned in the mountains the lovey snow maiden seeks her revenge.
