Cinematography
Frankie's waited for this day for 23 years. With his mom's help, he packs up everything he owns and sets out to start a new life alone. But the euphoria of newfound independence is short-lived, and as the dust settles and night falls on his new apartment, he misses his mom.
Writer
Frankie's waited for this day for 23 years. With his mom's help, he packs up everything he owns and sets out to start a new life alone. But the euphoria of newfound independence is short-lived, and as the dust settles and night falls on his new apartment, he misses his mom.
Director
Frankie's waited for this day for 23 years. With his mom's help, he packs up everything he owns and sets out to start a new life alone. But the euphoria of newfound independence is short-lived, and as the dust settles and night falls on his new apartment, he misses his mom.
Producer
A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk tribe of Northern California.
Editor
A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk tribe of Northern California.
Cinematography
A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk tribe of Northern California.
Sound Designer
Safa’s been through a lot. Now her car battery's dead in a strip mall parking lot.
Editor
Safa’s been through a lot. Now her car battery's dead in a strip mall parking lot.
Director of Photography
Safa’s been through a lot. Now her car battery's dead in a strip mall parking lot.
Writer
Safa’s been through a lot. Now her car battery's dead in a strip mall parking lot.
Director
Safa’s been through a lot. Now her car battery's dead in a strip mall parking lot.
Cinematography
Sigue las vivencias de un grupo de mujeres de distintas edades y trasfondos sociales y raciales que tratan de curarse de un trauma relacionado con su aspecto a través del arte del 'pole dance'.
Editor
A Woman’s Place is a documentary short film by Ventureland, Vox Creative and KitchenAid that gives an intimate look at the culinary world through the eyes of three women: Karyn Tomlinson, Marielle Fabie and Etana Diaz. As each woman reflects on the biases and sexism that she faced at the beginning of her career, the stories seem to echo one another. Directed by Academy® Award-winner Rayka Zehtabchi, we witness glimpses of their dark pasts intertwined with the brightest moments of their careers. Each woman carved out a place for herself in the industry — not just as a woman, but as a butcher, chef and restaurateur.
Director of Photography
Mutton Bustin’ champion and future spy, 7-year-old Marlie McDonald is a symbol of resilience and vigor. Marlie was born with an aggressive brain tumor and spent her first few years in hospitals. Today, fearless Marlie is in long-term survival care and insists on riding sheep in her free time.
Director
Mutton Bustin’ champion and future spy, 7-year-old Marlie McDonald is a symbol of resilience and vigor. Marlie was born with an aggressive brain tumor and spent her first few years in hospitals. Today, fearless Marlie is in long-term survival care and insists on riding sheep in her free time.
Editor
Mutton Bustin’ champion and future spy, 7-year-old Marlie McDonald is a symbol of resilience and vigor. Marlie was born with an aggressive brain tumor and spent her first few years in hospitals. Today, fearless Marlie is in long-term survival care and insists on riding sheep in her free time.
Director of Photography
Jack works at a suspension facility where people choose to halt their lives. On the night of his suspension, Jack's life takes a turn when he meets Jo.
Sound Designer
En un pueblo rural de Delhi (India), las mujeres han comenzado una revolución pacífica. Su lucha es contra el estigma de la menstruación. Durante generaciones, las mujeres no han tenido acceso a productos de primera necesidad, viéndose obligadas en muchos casos a abandonar sus funciones o incluso los colegios en los que estaban estudiando. Sin embargo, un día una compañía instala en el pueblo una máquina dispensadora de compresas que les permite crear sus propios productos. El proyecto nace en California, y recibe el nombre de 'The Pad Project'.
Co-Producer
En un pueblo rural de Delhi (India), las mujeres han comenzado una revolución pacífica. Su lucha es contra el estigma de la menstruación. Durante generaciones, las mujeres no han tenido acceso a productos de primera necesidad, viéndose obligadas en muchos casos a abandonar sus funciones o incluso los colegios en los que estaban estudiando. Sin embargo, un día una compañía instala en el pueblo una máquina dispensadora de compresas que les permite crear sus propios productos. El proyecto nace en California, y recibe el nombre de 'The Pad Project'.
Director of Photography
En un pueblo rural de Delhi (India), las mujeres han comenzado una revolución pacífica. Su lucha es contra el estigma de la menstruación. Durante generaciones, las mujeres no han tenido acceso a productos de primera necesidad, viéndose obligadas en muchos casos a abandonar sus funciones o incluso los colegios en los que estaban estudiando. Sin embargo, un día una compañía instala en el pueblo una máquina dispensadora de compresas que les permite crear sus propios productos. El proyecto nace en California, y recibe el nombre de 'The Pad Project'.
Editor
En un pueblo rural de Delhi (India), las mujeres han comenzado una revolución pacífica. Su lucha es contra el estigma de la menstruación. Durante generaciones, las mujeres no han tenido acceso a productos de primera necesidad, viéndose obligadas en muchos casos a abandonar sus funciones o incluso los colegios en los que estaban estudiando. Sin embargo, un día una compañía instala en el pueblo una máquina dispensadora de compresas que les permite crear sus propios productos. El proyecto nace en California, y recibe el nombre de 'The Pad Project'.
Cinematography
Becky looks up from her phone and her world changes forever.
Director of Photography
Burdened by an expired visa, a young couple spend what could be their last night together.
