Erika Navas

La historia gira en torno a Victor Dessauer, un niño judío que, en el invierno de 1944, ve cómo casi toda su familia es masacrada por los nazis. Dieciocho años después, el cazanazis Simon Wiesenthal consigue llevar ante los tribunales al responsable de la matanza... pero el sistema político y legal vienés sigue en manos de exnazis y el asesino es declarado no culpable.Además, el antisemitismo y el nazismo no solamente se mantienen en las instituciones de la capital austriaca, sino que permanecen en todos los ámbitos de la sociedad y Victor, prometedor empresario, también se ve rechazado por la familia de su novia. Así las cosas, el joven judío solo ve una manera de encontrar justicia: tomársela por su mano.

Las vidas de tres mujeres de fuerte voluntad y un joven músico se cruzan en la sociedad esquizofrénica de Teherán, donde el sexo, el adulterio, la corrupción, la prostitución y las drogas conviven con la estricta ley religiosa. En esta bulliciosa metrópoli moderna, evitar la prohibición se ha convertido en un deporte cotidiano y romper tabúes puede ser un medio de emancipación personal.

Konrad y Maja forman una pareja perfecta, con dos hijos fantásticos. Él es jardinero y ella, después de doctorarse, acaba de conseguir un trabajo muy bueno como investigadora en una clínica de renombre. La vida les sonríe. El día que Maja se presenta a su nuevo trabajo, Konrad la acompaña con la moto y después de dejarla tiene un accidente sin importancia. Enseguida le atienden y le operan en la misma clínica, y parece que el incidente haya quedado superado. Pero al cabo de unos días, Konrad se empieza a encontrar mal, hasta el punto que la han de ingresar en un hospital con una sepsis muy grave. Desafiando las órdenes de sus superiores, Maja comienza a investigar qué pudo haber pasado durante la operación de su marido para que haya contraído una enfermedad tan grave, y al final tendrá que elegir entre la fidelidad a la empresa y la verdad y la salud de Konrad.

Tao es un niño chino de ocho años que presencia el asesinato de su familia en el restaurante que regentan en Viena. Los asesinos descubren a Tao, pero él se las ingenia para escapar de sus captores.

Deals with the life, work, and tragic death of Johann "Falco" Hölzel. The biopic portrays his work through his early days, as member of the Viennese band "Drahdiwaberl", and later with his own hits as solo artist, like "Der Kommissar", "Wiener Blut", and his worldwide smash-hit "Rock Me Amadeus".

The seedy underbelly of Vienna at night. Mercedes is a femme fatale from Mexico, newly arrived at the Vienna airport with her German boyfriend Rainer, where they have smuggled a kilo of cocaine through customs. Unfortunately for them, the city has just had a major drug crackdown, leaving them without buyers and money. Disgusted with Rainer, Mercedes ditches him and hooks up with Harry, a lonely and bored cab driver who agrees to help her find a buyer for the drugs so she can get some cash and go home. She offers Harry a deal he can't refuse. Is he just another pawn for Mercedes or will her promises help him achieve his hope and dreams? The story careens through the night streets of Vienna, following two amateurs navigating their way through the treacherous world of the drug trade. It's a mood piece with the backdrop of a stifling urban loneliness.

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

It all starts when she runs away from the altar in a church in Hamburg. Easygoing Henny Schönberg has qualms about marrying in the very last second and runs off to leave her stunned would-be husband Martin von Platt. Still dressed in her wedding gown, she takes the next best flight, not caring about its destination.

Tercera parte de la trilogía de Haneke sobre la violencia en la sociedad moderna (los otros dos films fueron "Siebente Kontinent" y "Benny's Video").

Plachinger and Kirchhoff, the heroes of Franz Novotny's 1980 comedy "Exit - Do Not Panic" meet by chance after ten years and spend a night together in which they attempt to be as they were in the old days: anarchistic and orgiastic.

An economics expert from the West is contracted by a large firm to assist in the reorganization of a debt-ridden steel plant in the former Eastern Bloc. Believing himself to be eagerly awaited, he finds that his position has already been taken: Another man has already begun the job in his name, obviously with official approval. What first appears to be a strange mix-up soon turns into a threat to his existence when he discovers that not only his professional, but also his private identity has been assumed by the stranger.

The disabled ex-soldier Andreas Pum lost a leg for emperor and father land. After leaving the army he receives a license and a drehorgel. One day he gets into a controversy with a welldressed gentleman, disturbs the public order, and hits a policeman. Andreas Pum goes to jail, loses his license and becomes toilet guard in the Cafe Halali after his release. Only at the moment of death he recognizes that he was always too decent and too obedient.

Benny es un chico de 14 años de buena familia. Sus padres intentan compensar su falta de cariño por su hijo regalándole un estupendo equipo de vídeo. Obsesionado con el uso de su nuevo juguete, graba cómo sacrifican a un cerdo con una pistola, escena que lo incita a cometer un acto salvaje.

In this highly symbolic political allegory, Averill is traveling through a troubled countryside amid rumors of war to visit his father. He reaches a train station in a city which is paralyzed by a transportation strike and is forced to take lodgings in a bizarre, unattractive town populated by seemingly malformed individuals. After a while, he begins to try to woo a much older woman, and symbolic images of entrapment, imprisonment and erotic enticement mark his adventures in this regard.

This film, dramatizing Weininger's life, is an adaptation of the 1982 play Soul of a Jew by Israeli writer Joshua Sobol. Weininger's last despondent hours are depicted in a dramatic furioso. His whole life passes by like distorted images in a mirror. The young genius fights a desperate battle against time, his fellow men - and against himself.

The main characters of the story are Pauli, a teacher's son, and Sepp, the son of a sawmill owner. They get to know each other while serving as altar boys, become friends and decide to form their own gang with themselves as leaders. Their first major objective will be a battle against a notorious gang from the neighboring village . . .

Black snow and a grey sky. A young bank robber takes a man as hostage who has been prevented from committing suicide; he is also encumered by a charming, self-willed woman witness . . . But no matter how he tries to extract himself, the three of them are stuck with each other.

Despite its South-of-the-Border title, Caracas is an Austrian love triangle. Gas-station owner Gerhard Zehmann is saddled with cheating wife Regina Bill. The man would like to escape to Venezuela, but he can't unload his wife. Then he meets a woman who is the exact double of his wife (also played by Regina Bill, of course). Falling in love with this clone, the husband hatches a plan. He'll murder his wife, then leave for Venezuela with her look-alike so as not to arouse suspicion. Are foolproof plans like these ever really foolproof?

Are you happy? You don't have to answer right away. There is an island in the Mediterranean where the question concerning happiness is taken very seriously. A man comes and is drawn into a confusing game. A child an a mysterious woman play an important role in the game. He is mistaken for someone else and gradually sees the possibility of leaving his former life behind and finding happiness on the island. Is this only an illusion which should be rejected?

The time of great festivities, of noble health-resort idyll are long gone. A place torn by modern functional buildings and decaying, once fashionable hotel palaces. In this scenery, Lenz, a masseur, is struggling for his survival, barely keeping a day-to-day routine. He has become estranged from his wife and child. When he meets the dancer Nurit his life is thrown completely out of balance.

Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.

Drama carcelario protagonizado por mujeres.