This film explores testimonies from expelled residents of Tantura, a former Palestinian Arab fishing village that was located 28 kilometers south of Haifa on the Mediterranean coast of Palestine. In May 1948, the village was attacked by Jewish Haganah forces as part of a regional “cleansing” operation in the foothills of Mount Carmel, with the goal of expelling the Arab residents. Many Palestinians were killed and hundreds were imprisoned. Those who survived fled to the nearby village of Fureidis, which was spared destruction when Jewish residents of nearby towns interceded on its behalf. Other survivors became refugees in the West Bank, Lebanon, Jordan, and Syria. Kibbutz Nahsholim and Moshav Dor were subsequently built on land on the outskirts of Tantura. A mass grave is believed to be located under a parking lot, but current residents oppose exhuming the bodies.
Seven militant women (fedaiyat) of the revolutionary generation tell the story of the Palestinian resistance through accounts of their own lives. Cut from 35 hours of interviews with leaders of the armed struggle, the film presents an image of confident, unapologetic and proud feminine identity. Together, the memories of these women narrate the dream of a generation, yet unrealized.
Deals with the memories of Palestinian female guerilla fighters, currently in their forties, who were involved in military operations during their teen years.
The Upper Gate was about Sidon (The capital of the south of Lebanon), the filmmaker Arab Loutfi’s home town; in which she wove a history of the city through the stories of its people. In her film she tries after the 1982 Israeli invasion, which caused so much damage and chaos, to reconstruct her own memories of the place offering accounts of herself, her sister Maha, her uncle and her friends, interspersing them with newspaper clips and personal photographs to illustrate her preoccupations and concerns in relation to Sidon at different times.
