Cinematography
Marko Feingold used to say: “nothing can hurt those who already died once”. He himself had died several times over, as a survivor of four concentration camps: Auschwitz, Neuengamme, Dachau, and Buchenwald. From the moment of his liberation to the day he passed away last September, aged 106, he dedicated his life to helping tens of thousands of survivors on their arduous journeys to Palestine, and later channeled his efforts into Holocaust remembrance.
Editor
Marko Feingold used to say: “nothing can hurt those who already died once”. He himself had died several times over, as a survivor of four concentration camps: Auschwitz, Neuengamme, Dachau, and Buchenwald. From the moment of his liberation to the day he passed away last September, aged 106, he dedicated his life to helping tens of thousands of survivors on their arduous journeys to Palestine, and later channeled his efforts into Holocaust remembrance.
Director
Marko Feingold used to say: “nothing can hurt those who already died once”. He himself had died several times over, as a survivor of four concentration camps: Auschwitz, Neuengamme, Dachau, and Buchenwald. From the moment of his liberation to the day he passed away last September, aged 106, he dedicated his life to helping tens of thousands of survivors on their arduous journeys to Palestine, and later channeled his efforts into Holocaust remembrance.
Art Direction
Una obra imprescindible para entender el funcionamiento diario del nazismo. En 2016 Brunhilde Pomsel, una de las secretarias de Joseph Goebbels durante sus últimos cuatro años de vida (1942-1945), da la entrevista de su vida. En ella refleja las principales rupturas históricas que se han dado a lo largo del siglo XX y obliga al espectador a preguntarse si a día de hoy sacrificarían sus principios morales en pos de salvaguardar sus carreras profesionales.
Editor
Una obra imprescindible para entender el funcionamiento diario del nazismo. En 2016 Brunhilde Pomsel, una de las secretarias de Joseph Goebbels durante sus últimos cuatro años de vida (1942-1945), da la entrevista de su vida. En ella refleja las principales rupturas históricas que se han dado a lo largo del siglo XX y obliga al espectador a preguntarse si a día de hoy sacrificarían sus principios morales en pos de salvaguardar sus carreras profesionales.
