Director
Reflection on the circularity of time and the sense of life that deepens the dependence between life and death.
Director
A few trees, a few animals, lights, colours, spaces. Sensorial navigation through the hamlets of San Sadurniño, where seeing is retaining–perceiving, where the eye is not contaminated and takes pleasure in the adventure of perception. Quoting Stan Brakhage, "How many colors are there in a field of grass to the crawling baby unaware of ‘green’ ? How many rainbows can light create for the untutored eye ? How aware of variations in heat waves can that eye be ?"
Screenplay
Es la imagen quieta, casi congelada, de algo que parece una persona (¿es una persona o un demonio?) que alza los brazos y, de modo fascinante, consigue que los rayos caigan del cielo, como invocados y liberados por ese ser…
Director
Es la imagen quieta, casi congelada, de algo que parece una persona (¿es una persona o un demonio?) que alza los brazos y, de modo fascinante, consigue que los rayos caigan del cielo, como invocados y liberados por ese ser…
Editor
"Man and the sea are unknown to each other. Just as the sea holds hidden treasures, man also holds his own, his secrets. Man and the sea are fighting against time, fighting against their extinction, against the end of themselves. But they also respect each other equally. (Adrian Canoura)
Director of Photography
"Man and the sea are unknown to each other. Just as the sea holds hidden treasures, man also holds his own, his secrets. Man and the sea are fighting against time, fighting against their extinction, against the end of themselves. But they also respect each other equally. (Adrian Canoura)
Director
"Man and the sea are unknown to each other. Just as the sea holds hidden treasures, man also holds his own, his secrets. Man and the sea are fighting against time, fighting against their extinction, against the end of themselves. But they also respect each other equally. (Adrian Canoura)
Director
"Man, in the need to explain and understand the world around him, gives the animal, especially on the symbolic level, the functions performed, at first only for himself. It is believed that the pig guesses its end, feels death, and on the eve of the slaughter spends the night beating on the door of the court, which is expressed with the belief that that night it gets up seven times to eat the owner". (Adrian Canoura)
Director
In this hybrid of appropriation documentary and video clip, Canoura suggests the paths of his later work, merging through the VHS texture the streets of Burela with New York in the 80s, the African culture with the Galician, the countryside and the sea. with the drop and the pixel.
