Assistant Director
Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.
Assistant Director
Una "roast" es una tradición estadounidense, una fiesta en que amigos del homenajeado se turnan para ponerle verde y llamarle de todo... luego, como la cosa no deja de ser una fiesta, el invitado tiene turno de réplica. Comedy Central lleva años explotando este formato con estrellas caídas en desgracia que se prestan al juego, y el equipo mezcla comediantes habituales con invitados especiales que sí conocen al homenajeado. Este es el especial dedicado a Pamela Anderson, la popular vigilante de la playa.
Second Assistant Art Director
In Concert: A Benefit for the Crossroads Centre at Antigua is a live concert film featuring performances by the British rock musician Eric Clapton and invited friends, such as David Sanborn, Sheryl Crow, Mary J. Blige and Bob Dylan.[citation needed] The DVD and VHS releases hit the market on 26 October 1999 under license of Warner Bros. Records. The concert tickets revenue was donated to the Crossroads Centre Foundation. It was the first Crossroads Guitar Festival, although titled differently at the time.[1] The release reached various national charts and sold more than 225,000 copies worldwide.
Second Unit Director
It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.
Assistant Director
The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."
