Editor
In a village outside of Beirut, amidst scrap metal, chickens and goats, the quiet Fouad runs a mechanic’s garage with a detached but soothing presence. His customers, both old and young, are invited to sit and drink coffee while they wait for their vehicles to be repaired. In these moments of stillness, the garage becomes a haven for people to express their growing despair amidst the economic collapse that surrounds them. No jobs. Sleepless nights. The burden of school tuition. No one is safe. As the darkness closes in, Fouad must undertake a deeply symbolic, transcendent journey through his own psyche: a search for the other side.
Sami
Sami was at his parents’ house back in the village, when peace began to break out. He had gone there with his wife and kid for his brother's wedding . Back in the village people told him, “There’s no place like home,” and asked when he’d be coming back, but deep down Sami knew that he had forgotten. You can’t be away for that long without forgetting something.
Editor
Aishe, after losing her husband, suddenly became the sole provider for her three children. She participates in several workshops for emancipation of Muslim women and decides to pursue a career as a female plumber to ease her financial situation. WATERPROOF gives a humorous insight into the world of a plumber and her colleagues who try to stand their ground armed only with pliers and screwdrivers. They are the first femal plumbers in Jordan - one of the driest countries in the world.
Editor
A film crew retraces the path of a refugee's journey. They hope to reconstruct a memory landscape, but are instead confronted by the artifice of documentary. Bystanders interject with their opinions on how to make better use of their time. What is a story, and whose right is it to tell?
Editor
People of the Wasteland is an experimental short-film, in a first-person point of view, depicting the clashes of Syrian fighters in the front line. In the chaos of war, the lines between right and wrong become blurred. This exclusive Go-Pro footage from inside war aims to remind us that in a territory where the landscape and the people are ephemeral because of war, only the camera can remain alive, and only the image of a certain moment can remain eternal.
Poet shot
Film semibiográfico, dividido en cuatro episodios históricos, que narra la historia de una familia (mi familia) desde 1948 hasta la actualidad. La película está inspirada en los diarios de mi padre, empezando por cuando él era un luchador de la resistencia en 1948, y las cartas de mi madre a familiares que eran forzados a abandonar el país desde entonces. Combinados con mis memorias de ellos y con ellos, la película intenta retratar la vida diaria de aquellos palestinos que permanecen en su país y que fueron etiquetados como "árabe-isralíes", viviendo como minoría en su propia tierra.