Dmitriy Rozin

A drama about a Russian artist who desperately tries to find himself in New York.

The 20th Century begins. Carefree people roam from one attraction to another, laughing, renting boats and carriages, betting, smoking, playing with sand, changing clothes, flirting. As they circle around seashores, parks and streets, they look for more diversions. They are seeking for the ways to distract themselves from the fact that the war is about to start, that the summer is coming to an end, that they are long dead.

Svetlana Parshina was deeply moved by her childhood reading of Twenty Letters to a Friend by Svetlana Alliluyeva, Joseph Stalin's daughter. Years later, learning that the now 82-year-old was living incognito in a Madison, Wisconsin retirement home, Parshina phones and requests an interview. After repeated denials, and only after insisting upon certain conditions, the now-82-year-old Alliluyeva finally consents to a rare filmed interview in which she discusses her education, marriages, her children, the development of her own humanistic philosophy, her CIA-assisted defection to the U.S., and her skeptical views on the competing Cold War ideologies. In more intimate moments, she discusses her childhood, her nanny, the suicide of her mother, her brothers Vasily and Yakov (who died in a Nazi concentration camp) and, of course, her famous father, who most Soviets saw as "a living God."

In a career that has spanned 20 years (and counting), Paradise Lost have sold a staggering two million albums worldwide. Their constant reinvention and brazen attitude to musical experimentation has always allowed them to maintain a constant relevance despite the myriad fads and short-lived scenes that have emerged over the last two decades. Indeed few bands that prove so very influential in their infancy maintain the quality of output that Paradise Lost have. They formed the basis of an entirely new genre, gothic metal. Even now, fifteen years later, the influence of Paradise Lost is clearly visible on most Gothic and Heavy Metal bands. Since then the band - named after John Milton's epic 1667 poem - have released a number of musical highlights and genre merging masterpieces.

In a career that has spanned 20 years (and counting), Paradise Lost have sold a staggering two million albums worldwide. Their constant reinvention and brazen attitude to musical experimentation has always allowed them to maintain a constant relevance despite the myriad fads and short-lived scenes that have emerged over the last two decades. Indeed few bands that prove so very influential in their infancy maintain the quality of output that Paradise Lost have. They formed the basis of an entirely new genre, gothic metal. Even now, fifteen years later, the influence of Paradise Lost is clearly visible on most Gothic and Heavy Metal bands. Since then the band - named after John Milton's epic 1667 poem - have released a number of musical highlights and genre merging masterpieces.