Himself
Loves are found and lost. Families disappear and start. Houses, denouements, solitude, friendship. All that we keep, and all that we leave behind. Shot on Super 8 film between 2010 and 2018 in Portugal, Germany, Denmark, Switzerland, Italy, Guinea-Bissau, Argentina, Bolivia, Peru and Chile, ANYTHING AND ALL records the author’s memories as the days return to normal and emotions start to weaken, exploring the little ceremonies and other manias we indulge to remember our story.
Writer
Loves are found and lost. Families disappear and start. Houses, denouements, solitude, friendship. All that we keep, and all that we leave behind. Shot on Super 8 film between 2010 and 2018 in Portugal, Germany, Denmark, Switzerland, Italy, Guinea-Bissau, Argentina, Bolivia, Peru and Chile, ANYTHING AND ALL records the author’s memories as the days return to normal and emotions start to weaken, exploring the little ceremonies and other manias we indulge to remember our story.
Director
Loves are found and lost. Families disappear and start. Houses, denouements, solitude, friendship. All that we keep, and all that we leave behind. Shot on Super 8 film between 2010 and 2018 in Portugal, Germany, Denmark, Switzerland, Italy, Guinea-Bissau, Argentina, Bolivia, Peru and Chile, ANYTHING AND ALL records the author’s memories as the days return to normal and emotions start to weaken, exploring the little ceremonies and other manias we indulge to remember our story.
Sound
"Conakry" is a homage to the Guinean-Bissauan and Cape Verdean anti-colonial leader Amílcar Cabral. This poetic film is a single shot 16mm film staged at the Haus der Kulturen der Welt in Berlin and based on the archival images. The film-maker Filipa César, invited the Portuguese writer and artist Grada Kilomba and the American radio activist Diana McCarty to reflect on the images and their history, questioning what these film archive mean in a post-African liberation world.
Himself
A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island’s population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, “It’s the Earth not the Moon” develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea. A long atlantic film‐odissey, divided in 14 chapters, that combines anthropological records, literature, lost archives, mythological and autobiographical stories.
