Michal Vích

Honza Marak has long since abandoned a career in IT and has bought a cottage on the outskirts of a small village, where he’s settled in with his wife Marketa, daughter Anyna and son Sayen. He works in the woods as a forest labourer repairing roads and enclosures, cutting wood to sell and assisting the foresters. Marketa earns a living as a masseuse and alternative healer, making use of various mind-altering plants and mushrooms, which leads to conflict with the old inhabitants and eventually with drug enforcement. Daughter Anyna attends a distant school where her grades deteriorate as she wanders the woods learning from nature rather than from her textbooks.

Honza Marak has long since abandoned a career in IT and has bought a cottage on the outskirts of a small village, where he’s settled in with his wife Marketa, daughter Anyna and son Sayen. He works in the woods as a forest labourer repairing roads and enclosures, cutting wood to sell and assisting the foresters. Marketa earns a living as a masseuse and alternative healer, making use of various mind-altering plants and mushrooms, which leads to conflict with the old inhabitants and eventually with drug enforcement. Daughter Anyna attends a distant school where her grades deteriorate as she wanders the woods learning from nature rather than from her textbooks.

A computer programmer and his son are going out of the city for vacation.

"A musical film of the totalitarian era" is the the second title of the film. The film is based on a legendary school film of Tomáš Vorel, called INg (1985).The story line stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

"A musical film of the totalitarian era" is the the second title of the film. The film is based on a legendary school film of Tomáš Vorel, called INg (1985).The story line stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.