Philip Delmaar

Samuel (35) and Sarah (33) Ofori, together with their daughter Faith (15), have fled their home country of Ghana. When working as a police officer, Samuel was on the trail of a corruption scandal, but has since then felt that his life is in danger. Finally, after years of waiting, they are offered housing in The Netherlands. Their new home is in a wealthy neighborhood on the outskirts of the city. The young family is amazed when they enter the beautiful, large house: could they finally start over here? However, their happiness proves to be short-lived, for, as Samuel begins to observe frightening events, this home turns out to be just the start of a disturbing new nightmare.

Moroccan-Dutch Karim returns to his family home and opens up to his parents about being into men. Their reaction inspires a journey of discovery through Karim's isolation as he attempts to break an ingrained culture of silence.

When successful banker Thomas attends his father’s funeral, he meets his left-wing activist brother Arne again after many years. He makes an effort to get close to Arne and invites him to a prestigious conference on sustainable banking, but Arne uses the conference to make a political statement that has fatal consequences. Thomas finds himself fighting for his own career and for Arne’s life, but especially to regain his brother’s respect.

With his familial bookshop on the verge of bankruptcy, Simon finds himself retreating more and more to his cabin in the woods. After witnessing the suicide of a stranger, a childhood trauma involving his bullied best friend resurfaces and he withdraws even further into the past, estranging himself from his wife and his responsibilities. The only glimmer of hope is a young girl who needs help with her book review. But there is more to the girl than there seems to be.

The rise and downfall of a family over the course of 20 years, in one living room, in a single shot.

Sam recupera la conciencia en medio del metro lleno de gente, sin saber cómo y cuando llegó hasta allí, tampoco sabe quién es ni su nombre. Ahora busca frenéticamente su identidad utilizando el contenido de su mochila. Pronto se dará cuenta de que su vida corre peligro.

A teenager wakes up in a subway car with no memory of how he got there or who he is.

Una exitosa abogada descubre que tiene un hermanastro que está encarcelado en una clínica ,acusado de asesinar brutalmente a sus vecinos ...

A mosaic film about a group of people in the city of Rotterdam, The Netherlands strugging with loneliness, hope and love.

Inspirada en una historia real que aconteció a finales de los años 70, Frankie (Robert de Hoog) es un joven de 17 años que crece trabajando en el negocio familiar: una pequeña lavandería. Su padre es un sobreviviente judío del holocausto y tiene frecuentemente alucinaciones con los campos de concentración. En su adolescencia, Frankie se acostumbra a drogarse y escuchar punk y ska junto a su mejor amigo Jeffrey (Juliann Ubbergen), un surinamés negro cuya familia tiene un salón de belleza como negocio. La madre de Frankie: Anna (Sylvia Poorta) es diagnosticada de cáncer y hospitalizada. Frankie cae en la delincuencia uniéndose a un grupo de skinheads y alejándose de Jeffrey.

Small events in the lives of three people eventually lead to the moment at which a boy throws a rock from a bridge to hit a car. Small, unimportant causes can have big consequences.