Andrea Domburg

Unrelenting pessimism dominates this slow-paced, dark film, the debut feature from director Digna Sinke dedicated to an archetypal born loser named Marian (Josee Ruiter). Marian is a journalist who has been working in Latin America and who arrives home just after her father dies to find out that the man she had married for purely political reasons might be deported because the authorities found out he was not living with her. Meanwhile, Marian is upset that her mother and sister are keeping her mentally handicapped brother in an institution, and she goes there to get him released into her custody -- a mistake it turns out. He is actually worse off with her, and vice-versa. On top of everything, Marian cannot break away from the depression she feels over a tragic incident that happened while she was in Latin America -- and anything she does is colored by that moment from the past. These burdens become almost too much to bear, both for Marian and the viewers.

During World War II in the Netherlands, resistance-leader Arie is shot by the Dutch SS-man Niels. Arie's comrades pledge to avenge his death. 35 years later one of them, Ab, is confronted with Niels again. He decides to round up his old friends to kill him. He finds out though, that they think this is useless or are not capable of doing so anymore. Only the former communist Gerben has not forgotten his pledge and is talked into joining the execution.

Erik is trying to avoid the Nazi occupants and stay out of the hands of the Germans. Instead he is trying to be in Elly's arms.

Las vidas de Erik Lanshof y cinco de sus amigos más cercanos toman rumbos diferentes cuando el ejército alemán invade los Países Bajos en 1940: lucha y resistencia, miedo y resignación, colaboración y alta traición.

Finales del siglo XIX. Katty, huyendo de la pobreza, abandona su pueblo y se traslada a Ámsterdam, donde ejerce la prostitución para mejorar el nivel de vida de su familia. En la capital conocerá el poder de corrupción del dinero y el sórdido mundo de la explotación sexual.

Cornelis van Doorn is the CEO of VD, a meat factory as well as a developer of contraceptives. Cornelis is the patriarch of the Van Doorn family: a decadent bunch of loose morals who only lust for money and power. When the man is thinking about retiring, he has to find the right heir to take over the family business.

A man visits his girlfriend in Amsterdam after the war. He soon finds himself, for inexplicable reasons, in a country house where two women as 'white slaves' have to learn all kinds of erotic skills, and where a private detective, who has sold his own wife to an Arab in Tangier, comes to investigate.

After being released from prison a career criminal wants to start a new life. To finance this new life he decides to rob a small-town bank during a funfair. Meanwhile, he's trying to get rid of a women who can tie him to a previous crime.

A group of troubled individuals gathers in a café just before closing time. Experimental Dutch tv-play by Bert Schierbeek, winner of the 1960 Henriette Roland Holst Prize for "outstanding social commitment and literary quality".

Esta es la historia de la banda de música de Lagerwiede, que se divide en dos a causa de una disputa entre los propietarios de los cafés Geursen (Hans Kaart) y Krijns (Bernard Droog). Tras numerosos embrollos cómicos, milagrosamente, se unen de nuevo. (FILMAFFINITY)

Women distract a U.S. agent fighting Soviet spies over a German scientist and his secret plans.

The girls of competitive rowing club Nereus are hoping to win the women’s eight. One of them, Jenny, falls for an art dealer and becomes pregnant. Her friends at the club, her coach and her father all pitch in to help. The first Dutch feature length colour film.

A secret document, a stolen dress suit, two dimwitted crooks, the love of a man for a woman. It all results in a roller coaster ride for a young insurance agent.