Self
The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.
An intellectual, his questions and contradictions. How to think and act politically these days?
Self
Debate sobre la disputa por la hegemonía del continente entre las fuerzas conservadoras y los movimientos populares.
Himself (archive footage)
When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.
"El odio" describes the discrediting campaign against Lula da Silva and the Workers' Party in Brazil, demonstrating how this process led Jair Bolsonaro to the presidency. Conducted by Argentine documentary filmmaker Andrés Sal.lari, also details the participation of Judge Sergio Moro, the media and Washington in the entire operation.
Considered for a few years the “country of the future”, Brazil has seen since 2013 a deep disenchantment between the middle and popular classes that culminated with the rise of Jair Bolsonaro to the Presidency in 2018. Enchanted portrays this recent Brazilian history from a homonymous neighborhood of the Rio suburb transfigured by the 2016 Olympics. From Rio to Paris, a political and poetic testimony of Brazil through the eyes of the first generation of the popular class to study abroad.
Self
By approaching the financial system and its contradictions, the film raises questions about one of the main discourses of the financial authorities: that we can not spend more than we collect. Through several interviews, it gives an overview of how capital can influence politics and governments.
Ele Mesmo
